Friday, February 5, 2021

How Copenhagen Put Sustainability At The Forefront Of Its Fashion Week

Though not one of the major four, Copenhagen Fashion Week has, in recent years, been a hotspot for trends that matter. Between its effortlessly cool street style and roster of It Girl brands like Ganni and Cecilie Bahnsen, it has also made a name for itself as one of the leaders of the sustainable fashion movement.

Last year, Copenhagen Fashion Week launched a sustainability action plan. In addition to making a pledge to reduce its own footprint, it gave brands three years to meet a series of sustainability requirements in order to be eligible to have a spot on the official calendar. A year later and with a digital event as a result of the ongoing pandemic, Copenhagen Fashion Week released its first annual Sustainability Report that lists plans to become zero-waste by 2022.

“All industry players — including fashion weeks — have to be accountable for their actions and be willing to change the way business is done. The timeframe for averting the devastating effects of climate change on the planet and people is less than a decade, and we’re already witnessing its catastrophic impacts today,” said Cecilie Thorsmark, CEO of Copenhagen Fashion Week, during a press conference. 

This season, Copenhagen Fashion Week also partnered with Zalando, a European e-platform for fashion and lifestyle, to launch the Zalando Sustainability Award, which all brands on the calendar were invited to apply for. After looking at their sustainability strategies, a jury of experts selected House of Dagmar as the winner on Thursday.

Founded in 2005 by sisters Karin Söderlind, Kristina Tjäder, and Sofia Wallenstam, House of Dagmar has been committed to sustainability since the beginning, prioritizing design, ethics, and longevity as the house pillars of the brand. Instead of showcasing new trends, its new collection reimagines essentials like soft knits, relaxed suiting, and oversized coats — which the brand hopes inspires shoppers to wear their clothes season after season rather than a few times before the trend is over. As consumers, we must realize the need to support the sustainability movement,” Söderlind told Refinery29. “Maybe we don’t need the season’s It garment. But we do need a great sustainable wardrobe filled with your essentials.” 

In line with its eco-friendly practices, 90% of the products in the collection were made using at least 50% sustainable fabrics. “Our goal is to become climate neutral and offer 100% sustainable collections. To get there, we measure our fiber footprint every year so that we make decisions that lead to actual change in an effective and transparent way,” said Söderlind. 

“We still have a very long way to go to achieve our own goals. This gives us a push to keep putting even higher targets,” Wallenstam said in the press release announcing the win.

Runner-up Marimekko, a Finnish fashion and home brand known for its can’t-miss prints, recently raised its sustainability targets to a much more ambitious level, promising to reduce the environmental footprint of its textile materials and its greenhouse gas emissions, among other initiatives, by 2025. “Deadlines are often the best motivator to hold ourselves accountable for any change that needs to be achieved,” Rebekka Bay, Marimekko’s creative director, told R29. “We also feel it’s important to be transparent to our community.”

To double down on its sustainability pledge, in lieu of a seasonal collection, the brand presented a conceptual film, highlighting its timeless design philosophy. “One of our goals was to make this film with a minimal environmental footprint, so the carbon footprint from the film’s production will be offset,” said Bay. “Our long-term vision is that our operations leave no trace on the environment.”

RabensSaloner AW2021

Many designers see Copenhagen Fashion Week as the venue to unveil their own sustainability projects. Last season, Ganni partnered with Levi’s on a rental collection during the event; the season before, By Malene Birger made some of its fall 2020 runway looks available for rent. Other brands like Stine Goya, Baum und Pferdgarten, and Rabens Saloner that appear on the schedule are transparent about their sustainability efforts year-round. But while Copenhagen Fashion Week does boast a large number of brands who are committed to better practices — at least, in comparison to cities like New York, London, or Paris where you are significantly more hard-pressed to list sustainable designers outside of Collina Strada, Mara Hoffman, Stella McCartney, or Gabriela Hearst — there’s still the issue of greenwashing, where brands claim to be more sustainable than they truly are.

With 17 requirements on its action plan, by 2023, Copenhagen Fashion Week will require that brands meet specific benchmarks — like pledging not to destroy unsold clothes, using at least 50% certified, organic, upcycled, or recycled textiles in all collections, and using only sustainable packaging and zero-waste set designs for shows — in order to be able to participate on the calendar. As for those who don’t? “Sustainability is not a game or a sport where only one brand can win,” House of Dagmar’s Wallenstam said in a press release. And while that’s true, there are many fashion brands that stand to lose if they don’t adapt to the times.

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Kate Middleton’s Repeat Outfit Proves That This Classic Never Goes Out Of Style

On Tuesday, Kate Middleton logged onto Zoom to speak with teachers at a local school in honor of Children’s Mental Health Week. For the occasion, the Duchess of Cambridge got thrifty, and chose to recycle a royal blue tweed jacket from New Zealand-based fashion brand Rebecca Taylor. In doing so, she proved that the classic lightweight outerwear option — which was made famous by Chanel in the first half of the 20th century — will never go out of style. 

Middleton first wore the tweed jacket, which originally cost $498, to an event at Evelina London Children’s Hospital in February 2017. There, she paired it with the matching knee-length dress made of the same tweed material, a suede clutch purse, coordinating Rupert Sanderson Malory pumps, and sapphire earrings. On Tuesday, she toned down the look, pairing it with rose-gold drop earrings and tying her hair back into an effortless ponytail.

Middleton has long been a fan of Taylor’s suits, having worn a similar blue, tweed skirt suit from the brand in 2012. Instead of a Peter Pan collar like this one, though, that suit featured a round neckline with small, flower appliqués embroidered around it. She wore the same suit, which was from the brand’s 2011-2012 “Sparkle Tweed” collection, in 2014, during the Royal Tour stop in New Zealand. Suffice to say, the Duchess can’t get enough of Taylor’s tweed. 

Though the jacket style has been a go-to of Middleton’s for years, not to mention a constant at Chanel’s runway shows, lately designers have added a new twist to the style. At the French fashion house’s spring ‘21 show in Paris, model Lily-Rose Depp wore a hot pink Chanel tweed jacket with a coordinating tweed bra. With the set, she wore vintage-style jeans with tweed patches on the pockets and down the legs, accessorizing with a gold belly chain belt and a pink bucket bag. In doing so, she made tweed, at least for fellow members of Gen Z, cool again — something that Middleton’s apparently known all along. 

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How Rejina Pyo Changed Things Up

As the pandemic hit and the theatre of fashion week could no longer physically take place, calls for the industry to slow down, take stock, and consider its environmental impact and fast-paced production reverberated across social media. “I thought, Great! Everyone’s talking about the same thing,” Seoul-born, London-based designer Rejina Pyo tells Refinery29. Then SS21 rolled around in September and nearly every designer on the London Fashion Week schedule produced a virtual show, streamed on YouTube or Instagram. “Wait a minute,” Pyo thought to herself, “this [is] the perfect opportunity to change things up.” And so she did. 

Fashion month has been broken for a long time. The current biannual schedule is modeled on an outdated era when the only way editors and buyers could see a new collection was in person, six months before it landed in stores so that there was time to photograph, review and print publications for their customer to peruse. Now, though, we have the internet, and collections are seen by the world within minutes of being sent down the catwalk. 

“People would message me after a show, asking when they could buy something they just saw, and I’d say, ‘Ummm…not for another six months!’ We’d be showing the spring/summer collection in September, right before a cold winter was coming and nobody could wear it. People aren’t actually interested in which season a piece is from, they just want a beautiful dress or skirt that fits into their wardrobe.” On Thursday, Pyo released her SS21 collection just as we emerge from a cold and cruel January in lockdown, as we’re starting to look forward to the longer, warmer, and more hopeful days of spring. “It’s exciting to align the fashion calendar with women’s real lives, to be even more involved with them,” she says. “I’m not saying we’ll never do a show again — I miss the excitement, curating the music and the venue; it’s such a special moment — but the purpose of a fashion show has changed hugely and, for now, we’re using this opportunity to do something else.” 

In lieu of a catwalk show, Pyo is returning to the format of her SS18 collection, which saw her collaborate with a variety of women — mothers and jewelry designers, writers, and painters — to showcase the clothes. This time around, artists Conie Vallese and Cassi Namoda, and musicians Soyoon and Kwamie Liv feature in the campaign, which will be released in the coming weeks. “I wanted to introduce our audience to these amazing artists from around the world and show the collection in context rather than quite removed on a model. Both personally and as a brand, I’m not just interested in fashion — I love every aspect of life. I want to know what this inspiring woman is reading, what she’s eating, how she’s being inspired.” What’s providing Pyo with artistic sustenance in lockdown? “I started oil painting in my garden shed! I love reading old issues of World of Interiors and Architectural Digest. My husband is a chef and we wrote a cookbook together, Our Korean Kitchen, so whenever I miss home I cook Korean food.” 

Creating clothes which genuinely align with real women’s lives is what Pyo does best. It’s what set her apart from her contemporaries in 2017, when she debuted her first collection at London Fashion Week SS18, three years after founding her eponymous label. It’s what has gained her cult status both within and outside the industry, made her Greta dress and Olivia bag repeat sell-outs, and seen her pieces imitated by the high street season after season. Whether it’s her ability to infuse collections with a nod to the past — a dagger collar here, a bowling shirt there — without succumbing to vintage pastiche, or her knack for creating an It bag, Pyo’s dedicated following has come to anticipate several aesthetic codes. For us, it’s her eye for color. “When people ask me where I get my color inspiration, they almost want me to say, ‘Yes, I have this trend forecasting book I work from!'” she laughs. “It’s very instinctive and personal but I like what happens when you put two colors next to each other — each combination is different. An aubergine purple next to a mint green isn’t the same when it’s put next to a butter yellow. It’s like they have a conversation, it’s a chemical synergy, like they’re dating each other.”

Serving up a generous scoop of escapism, Pyo’s SS21 collection vibrates with zingy hues made to be worn with a sundowner. From Californian poppy orange and Granny Smith green to flame red rust, even the more muted colors — think buttermilk yellow and gentle olive — make an impact. “This collection reminds me of punchy Italian granita and gelato,” Pyo says. Is that the first place on her wish list when international travel is safe again? “I think my mind is always there!” she laughs. “There’s never a moment when I’m not longing for southern Italy; the food… even the colors look different. I love seeing how Italian people live their lives away from the tourist spots.” 

Travel is at the heart of the collection for another reason, too. Pyo spent the start of the pandemic in her husband’s native Ireland but soon traveled to Korea to be with her own family and work on the collection at her business’ second base. “We didn’t realize how long we would be staying, and the situation got worse here, so we ended up there for almost four months.” Having spent only two weeks at a time in Korea since she left 13 years ago, the change of pace “was quite an experience” but it was the people she was with who inspired her the most. “I spent so much time with my family and childhood friends — who in turn have children — it felt like going back to my childhood almost.” 

A childlike playfulness is always present in her pieces, whether it arrives through an unexpected color pairing, a kitsch print, or an off-kilter silhouette. How does Pyo avoid taking herself too seriously? “It’s what’s differentiated our brand from the beginning,” she muses. “We were always very inclusive rather than exclusive. Life is too short to be serious all the time. I admire how kids are carefree and free-spirited — they’re the best artists in the world.” Even during lockdown, the literature that inspired the designer is centered on children: The Book You Wish Your Parents Had Read (and Your Children Will Be Glad That You Did) and How To Talk So Kids Will Listen and Listen So Kids Will Talk. “They’re about how to become better communicators, but it’s amazing, when you read them you realize you’re not communicating this way with your partner, friends, or colleagues either.” 

Alongside a sumptuous and unexpected use of color, one of Pyo’s calling cards is her dexterity with contemporary tailoring. From SS18’s fuchsia zoot suit to the sharp satsuma blazer that stole our hearts at Resort 2021, her tailoring never sits in antithesis to her hyperfeminine dresses, but in agreement with them. This collection features an oil-slick navy relaxed jacket and cropped trousers, plus a breezy natural linen midi skirt suit. “I’m inspired by how the people I know wear tailoring,” she says. “Tight-fitting or relaxed, feminine or boxy, suit jackets are so empowering — if you’re feeling ‘meh’ you can put one on and feel like a power woman.”

Did Pyo maintain formalities during lockdown or give way to loungewear like the rest of us? “When it first happened, I thought, What’s the point? and stayed in my most comfortable clothes. Then it hit me, I became really sluggish and not very inspired. I realized I need that excitement that comes from dressing myself. It changes your attitude, even how you sit. Dressing for myself and not for others is what got me motivated again. Life has changed so much for many of us, but the ability of fashion to transform you and transport you somewhere else? That feeling can’t be taken away.”

Rejina Pyo SS21 is available to shop here now.

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जब विदेशी कार्पेट पर बॉलीवुड की इन बालाओं ने करा दी बेइज्जती, एक-एक तस्वीर ने किया 'दिमाग का दही' February 04, 2021 at 11:38PM

बॉलीवुड एक्ट्रेसेस यूं तो अपने स्टाइलिश लुक्स के लिए जानी जाती हैं। लेकिन कभी-कभार इन बालाओं का फैशन ऐसा होता है, जोकि स्टाइलिंग टिप्स तो दूर बल्कि आपके 'दिमाग की दही' जरूर कर देगा। ऐसा ही कुछ हमें इंटरनेशनल रेडी रेड कार्पेट पर भी देखने को मिला, जहां प्रियंका-सोनम और ऐश्वर्या का कपड़ों ने जमकर बेइज्जती करा दी।

टीवी की इस संस्कारी बहू ने टाइट फिटिंग ड्रेस पहन मचाया गदर, तस्वीरें ऐसी जो लगा देंगीं आग February 04, 2021 at 11:28PM

टीवी की संस्कारी बहू बन घर-घर में अपनी पहचान बना चुकीं एक्ट्रेस श्वेता तिवारी (Shweta Tiwari) ने हाल ही में एक टाइट फिटिंग गाउन पहने हुए खुद की दिलकश तस्वीरें शेयर कीं, जिसमें वह काफी स्टनिंग लग रही हैं।