RITU KUMAR | PAYAL SINGHAL | SANGEETA BOOCHRA | ASHIMA LEENA | AHILYA | SATYA PAUL | SHAZE | AZA | RINA DHAKA | GLOBAL DESI | ZARIIN |
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Dresses | Dresses | Designer Piece | Kurtas & Kurtis | Kadda | Sarees | Jewellery | Ethnic Wear | Designer | Women's Shoes | Sportswear |
Kurtas | Western Wear | Jewellery | Salwar Suits | BangleSet | Printed Sarees | Earnings | Sarees | Dress Material | Jewellery | Sports & Shoes |
Jackets | Tops | Bangles | Tops | Pendants | EmbellishSarees | Bangles & Bracelets | Kurtas & Kurtis | DesignerSaree | Fashion Jewellery | Gold jewellery |
Tops | Ethnic Wear | Coin & Bars | Leh Cholis | Kadda | Handbags & Clut | Rings | Salwar Suits | Blouses | Bridal Set | Pumps & Pee |
Skirts | Salwar Suits | Earings | Western Wear | Acessories | Bags & Luggage | Jewellery Sets | Chunnis & Dupattas | Gowns | Jeans | Spectacle |
Jumpsuits | Sarees | Chains | Dresses | Earings | Top-Handle Bags | Sunglasses | Bottom Wear | T-Shirts & Shirts | Jeans & Jeggings | Nightwear |
Tuesday, May 19, 2020
घर के फंक्शन में जब कंगना रनौत को अपनी ही बहन रंगोली से उधार मांगनी पड़ गई साड़ी, देखिए तस्वीरें May 19, 2020 at 06:58PM
The Beautiful World Of Timothée Chalamet Instagram Art
In March of 2018, only months after Call Me By Your Name premiered in theatres, an Instagram account by the name of @cmbynmonet — Call Me By Monet — went viral. The account takes stills from the film, starring Timothee Chalamet and Armie Hammer, and Photoshops them on top of classic paintings by French painter Claude Monet. It now has over 50 thousand followers.
Four months later, another artistic Instagram account garnered acclaim, and this time it wasn’t just tied to the then-up-and-coming actor on everyone’s minds — it was entirely dedicated to him. The brainchild of a 23-year-old student named Anna, the account @chalametinart showcased images of Chalamet superimposed over classic artworks, most notably, Caravaggio’s Boy with a Basket of Fruit. “My main inspiration for creating the account came from Call Me By Your Name,” Anna told Vice. “Each shot, thanks to the use of a single lens, seems like a painting in itself.”
With now two accounts dedicated to Chalamet as a work of art, it begs the question: Do we have Chalamet to thank for bringing classic art into the digital age? What about his face makes young women so inclined to create fine art around it? Anna’s response: “His looks seem to fit in any painting from any time perfectly, and his outstanding acting, multilingualism, and musical skills make him a true Renaissance man.”
View this post on InstagramA post shared by Timothée is Art (@zarascreatives) on Apr 25, 2020 at 5:16pm PDT
But when Anna stopped posting “badly photoshopped Timmy” art edits for her nearly 100k followers in January 2019, another passionate fan was quick to take her place.
“@Chalametinart was absolutely my main inspiration,” says Zara, the creator of @zarascreatives, an account meant to follow in her “mentor” Anna’s footsteps, that launched in March. “I tried to contact Anna a few times after she stopped posting, but sadly, we haven’t spoken. Over a year since she first blessed us with an art edit, I felt like I had to give it a go myself.” And like her predecessors, it didn’t take long for Zara to see art and Timothée fans alike flock to her page.
According to Zara, the reason that Chalamet works so well for classic art edits is because he “doesn’t fit into the perfectly sculpted mold of male beauty standards.” She adds, “He’s beautifully androgynous and ok with being feminine.” Androgyny plays a significant role in the images she creates because, historically, masculinity and femininity were rendered more fluidly in art, a reflection of the time when these works of art were first created. In fact, according to John Varriano’s book Caravaggio: The Art of Realism, the Italian painter had two specific androgynous characters that were among his favorite and most frequented subjects. “One of my favorite pieces is of Timothée and Saoirse Ronan in a portrait that was originally of two women,” Zara says.
But while it’s Chalamet’s face you see when you log onto her page, he’s not the only reason for its existence. “These edits are my way of breathing life into old artworks,” Zara says. “It exposes them to a new generation, one that maybe hadn’t been interested in art before.”
In the nearly two years since @cmbynmonet first appeared on Instagram, and with the quarantine keeping people away from cultural centers like museums and galleries, it’s no wonder that younger generations are going online to feed their newfound interest in classical art.
View this post on InstagramA post shared by Side Dimes (@sidedimes) on Mar 19, 2020 at 11:06am PDT
And not all reimagined classical art is dedicated to Chalamet’s finely chiseled features. The latest buzzy art account is @sidedimes created by Mikayla Lapierre, an art director at McCann New York. On the feed, you’ll find 18th-and 19th-century artworks by William-Adolphe Bouguereau, Jean Auguste Dominique Ingres, and more, but with a 21st-century touch. Think: women splayed out on the subway station benches in silk gowns and pearls or, for Lapierre’s latest collection, classic paintings of women by Vittorio Reggianini, each superimposed with surgical face masks.
If you’re looking to add some cultural eye candy to your walls in quarantine, you can get a Side Dimes print online for $15. Affordable classic art — quite possibly thanks to Timothée Chalamet — is just a click away. But these days, so too is the real thing.
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This Account Documents Timothée Chalamet’s Outfits
Gucci’s Version Of A Quarantine Is Extremely Chic
#GucciTheRitual is back for round two — and it’s best enjoyed at home.
Three months after the luxury brand’s fall 2020 collection debuted, Gucci launched its latest campaign, with digital imagery and a video. The 16-second clip shows a lineup of models dancing and singing to “Alright” by Supergrass in their respective homes — all while decked out in head-to-toe Gucci. Right before the video fades out, Gucci creative director Alessandro Michele takes the screen and joins in.
The campaign imagery shows models going about their routines in quarantine: brushing their teeth, concocting homemade face masks, and taking advantage of any and every socially distant outdoor space. Of course, no Gucci campaign would be complete without animals, so models invited their feathered friends, from chickens to birds, to join the at-home shoot. According to Interview, Michele called the campaign his “most authentic yet,” saying that “the extravagant hyper-naturalism that [he has] always tried to depict, now emerges even more authentically and more amazingly.”
“The overturning, in fact, creates a paradoxical effect: loosening control produced a narration that seems to overcome, in intensity, my own ability to build fiction,” he told the magazine. “I am thankful for this imaginative experimentation because it restored the power of a dream: mine.”
View this post on InstagramA post shared by Gucci (@gucci) on May 19, 2020 at 2:40am PDT
Since Michele took the helm in 2015, he has brought the Milan-based luxury brand into the modern-day, spearheading the maximalist fashion movement after years of minimal dominance. Since then, he has launched campaigns ranging in inspiration from photographs of Malick Sidibé, who captured youth culture in Africa in the ‘60s and ‘70s, (pre-fall ‘17) to old Hollywood glamour (spring ‘19).
For the most recent the fall ‘20 runway show last February, Michele upturned the fashion show structure completely. The show, titled “The Ritual,” gave the audience the chance to see what happens behind the scenes at a fashion show. Behind a transparent screen, models could be seen getting dressed in their final looks. Once they were fully dressed, each model took their spot on the edge of the rotating stage. In the show notes, Michele explained his reasoning for the flipped format, saying: “There’s something though, in this ceremony, that usually stays buried: the struggle of the parturient that accompanies the tremble of creation; the mother’s womb where poetry blooms, from shape to shape. Therefore, I decided to unveil what lies behind the curtains. May the miracle of skillful hands and holding breath come out of the shadows.”
See a stylized version of our lives in quarantine in the Gucci campaign, above.
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Gucci Turns The Backstage Area Into The Catwalk
Amidst The Pandemic, Claudia Li Is Ready To Make Her Own Fashion Rules
Claudia Li designs clothing from an emotional place. But several months into the pandemic, the designer is considering rethinking everything.
For her Fall 2020 collection, the New York-based designer was inspired by memories of her late grandfather, for an unabashedly optimistic collection that showcased bold prints and a colorful palette of blues, yellows, and red. Six months prior, for her Spring 2020 collection, Li featured a photo print of her parents on the most standout pieces from the collection.
Li told me on the phone last week that she seeks to recreate the feeling. “It’s the idea of not going back to the past, but to bring the happiest moments and the fantasy from the past to present and into reality,” she said of the Spring 2021 collection that she’s currently working on, which is inspired by her intimate wedding in Hawaii.
Like many designers, Li was in the midst of working on the forthcoming collection when New York City was put under lockdown in March as the result of the COVID-19 pandemic. “In the beginning, I was obviously panicking and scared, I think everyone was afraid,” she said. Since then, she has packed up the office, digitized the moodboards, and has been in constant communication with her now-remote team. She is “feeling a lot better” now, having had the time to reflect on the future of her business.
“Fashion has always been, you just keep going and don’t really take the time or a moment to breathe. Since March, it has felt that someone has pushed a pause button, and then, all of a sudden, it kind of stopped, and I really had to think and be like, Hey, what are we really doing here?” she said. “Before this, design-wise, I didn’t really overthink because decisions needed to be made. You just go with it. Nowadays, I really think about what is the reason that we’re doing this: Are we wasting fabric? Are we wasting resources? Do we really need another cocktail dress? Things like that, we didn’t really think about before because you have stores or like a retailer saying, ‘Can you make this? We love to see more of this.’ [Right now] I am not making things for the sake of making.”
This is a sentiment that many designers have expressed in the last two months, while also speaking out against the long-broken fashion system that has forced them to produce out of season and discount clothing, and paid little attention to supporting emerging designers like Li. “I think even before everything happened, fashion was already a failing system. I am really not afraid to say it because, at least for smaller brands like ours, it really wasn’t working at all,” Li says. “I really hope that the people who make the rules see what they could do for the smaller brands. For me, I really wish that people who have a say in the bigger things, they can realize that something is wrong with the system and it needs to be changed.”
In the meantime to keep the business afloat and her team in place — with no guidance or knowledge of what the future of fashion will hold, or what September’s NYFW will even look like — Li has had to find alternative ways to make sales, like experimenting with digital market appointments. “I think this is a chance for us to make our own rules in some ways. I don’t want to say, ‘Screw the system’ or whatever, it’s not that, but I do feel like we need a better system and for someone who has the power to say, ‘Hey, you know what, I am going to group everyone together and make it work for everyone,’” she says.
While working apart from her team has been difficult, according to Li, the biggest challenge has been seeing the racist and xenophobic violence and discrimination toward people of Asian descent. A Chinese designer who was raised in New Zealand and Singapore, Li has spent the last 10 years in New York. “I’ve always been sort of the outsider in every single place I went growing up. It was fine, like there was minor discrimination here and there, but it’s not like so much that I get mentally affected by it or like scared,” she says. “New York is the first place I felt like I belonged here. I don’t feel like I need to pretend to be something I am not or try to fit in because nobody fits in here. Everybody is different. But when this thing happened, there have been so many attacks on Asians. It’s the first time I felt like people are pushing me out.”
She recalled meeting up with two of her team members, who are also Asian, to pack online orders a few weeks ago, and noticing they were all wearing hats and glasses in addition to their masks. “I was like, ‘Oh my god, we are matching today!’ And one of them said, ‘No, I just want to hide my Asian-ness because I am scared.’ I never heard that in my life before this… and I felt the same. This has been the hardest part,” she said. “I really hope that everyone sees that no one wants to go through this, and we’re all in this together. In the end, it’s about being humans.”
It’s that desire to inspire more humanity during a time like this that has made her double down on the positivity that she wants her next collection to imbue. And while it was Li’s wedding, which she described as a “dream,” that was the starting point, it has now evolved into something more universal, with people looking toward the happiest version of themselves in the future. “Claudia Li girl has always been kind of a dreamer, she is a misfit in some ways but she dares to dream,” she said. “So I want to push the idea further — which is, yeah, right now we’re in sweatpants and pajamas all the time, but that dream of when we go out finally again we could actually be wearing whatever the hell we want.”
With a sentiment like that, Claudia Li is what we’ll want to be wearing when that time finally comes.
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This NYFW Show Casted Only Asian Models