Thanks To TikTok, These Rings Are The Throwback Accessory Of The Season

If you’re on TikTok, you’ve likely seen the colorful, plastic rings that line the fingers of users across the platform. Playful and somewhat child-like, the lucite styles feature decorative baubles like gemstones, are oversized, and come in oval and rectangular shapes. Often, wearers pile on several rings, of different colors and shapes, not unlike how we did with Ring Pops back in the day. 

While they’re everywhere on the platform, you’re guaranteed to spot them on Brooklyn- and downtown Manhattan-based 20-somethings, who spend their Saturdays taping Day In The Life videos that involve brunch at Ruby’s and trips to the East Village shop Here Nor There, where many are purchasing the rings. According to the store’s TikTok, since being featured on the platform, they’ve sold out of and subsequently had to restock their rings, which range in color from hot pink to lime green, and include kitschy designs. They’re accessible — $15 to $20 — and sustainable — celebrity stylist Julia Copeland’s store offers a variety of reworked vintage — and, as such, beloved by Gen Z.

@herenortherenyc

yes, they’re really $15 ☁️💗✨🧚‍♂️💌 #tiktokfashion #tiktokstyle #nyc #eastvillage #manhattan #rings #trendy #lamanso #monchermoi

♬ Somebody to love Basstrologe Bootleg – mthekyng

Here Nor There isn’t the only shop supplying TikTok users with rings to match their brightly colored nails — lucite jewelry hauls from eBay and Etsy are aplenty. While “drinking one night,” Olivia Josephsen ordered them in bulk on eBay. She later realized that they were child-sized, which isn’t that surprising since the style does resemble something many kids return from summer camp with. “A lot of these were definitely made by children, but, like, I’m here for it,” Josephsen says in the TikTok haul video, showing off the colorful (and adult-sized) rings she replaced them with.  

The trend isn’t entirely new. Prior to TikTok popularizing the throwback trend this year, resin rings could be found at niche boutiques, in the form of glass-blown styles by Maryam Nassir Zadeh and Jane D’arensbourg, for upwards of $300. Though made with high-quality materials, they are not accessible to many. 

Knowing this, users have kick-started a DIY movement. One teen who goes by the username @queenslairbykatie launched an Etsy shop, where she sells handmade rings. “As a high schooler, I understand that teens don’t have that money so I will be selling them for $8.97,” she says in a video. She’s not alone. Tons of other Gen Zers are also DIYing resin and lucite rings, and proceeding to sell them on platforms like Depop and Instagram. On TikTok, #resinrings has over 5.6 million views, while #plasticrings has almost 200,000. #Clayrings — another ring trend — has 14.2 million views. 

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Celebrities like Miley Cyrus, Dua Lipa, and Bella Hadid are propelling the statement ring trend beyond the platform. On Wednesday, fashion search engine Lyst reported that interest in plastic rings has been rising since January. Searches for “resin rings” are up 28% month-on-month, according to the site, with the keywords “chunky” and “bold” being the most frequently used. “Colorful rings” are also spiking, with page views for the keyword up 19% since the beginning of February. According to its findings, the most sought-after colors are neon green, hot pink, and yellow.

Lipa and Hadid’s rings are by Barcelona-based brand La Manso. The brand was founded three years ago by Adriana Manso, who was inspired by her grandmother’s ring collection. “We want to be at your cocktails, in the supermarket queue, sweating in the gym, or swimming in the pool,” the website reads. “We promise to be the center of attention, at any time and in any situation.” Manso’s goal of taking the expense and “carats” out of luxury jewelry shopping — she sells her rings for between $55 and $80, which, while not cheap, is more affordable than some of the other offerings — is obviously catching on. 

Given that the candy-like ring options previously available were out of reach for most of Gen Z, it’s understandable that teens would turn to shops like Here Nor There for more accessible alternatives. Or better yet, DIY options. (TikTok is crafty like that.)

Ahead, resin and plastic rings to shop now. 

At Refinery29, we’re here to help you navigate this overwhelming world of stuff. All of our market picks are independently selected and curated by the editorial team. If you buy something we link to on our site, Refinery29 may earn commission.

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Bridgerton’s Phoebe Dynevor Lands A Campaign That Daphne Would Approve Of

Rather than put on a runway show during Fashion Week, London-based brand Self-Portrait showcased its fall ‘21 collection with a campaign starring Bridgerton’s Phoebe Dynevor. In the photos, the star, who plays Daphne Bridgerton on the Regency-era Netflix drama, can be seen sprawled out on the floor of a London townhouse, decked out in sparkles, bows, and pearls — accoutrements her character has been known to don on the show. The actress also showcased puff-sleeves, lace collars, corset dresses, and pastels in the campaign. Sound familiar?

Dynevor told British Vogue that working with Han Chong, Self-Portrait’s creative director and founder, was effortless. “It’s funny, I think that it’s completely coincidental that there is this amazing thread that runs through what I wore on Bridgerton and Chong’s collections,” she said. “I think there are some similarities [with Bridgerton] in the softer color palette, and the mood of some of his more delicate, lace designs. But beyond that, I feel like Self-Portrait really has its eye on a much more modern and real way of dressing.”

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Though Chong designed the fall ‘21 collection before Bridgerton entered the hearts (and thirst dreams) of 82 million viewers, you wouldn’t think so upon looking at it. The 28-piece collection includes dresses, co-ords, and separates that resemble 2021 takes on the corsets, gowns, and waistcoats that Bridgerton costume designer Ellen Mirojnick made for the show. 

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If you’re trying to master Regencycore without looking like you’re wearing a costume, look no further than Self-Portrait’s fall ‘21 collection, which will be available in full starting in July. Can’t wait until then? Shop a handful of early release items below.

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How To Build A Successful Depop Shop — According To Sellers

While in-person thrifting has become challenging as a result of the pandemic, online resale, which makes it easier for users to find one-of-a-kind pieces without the in-person hunt, is thriving. In particular, Depop — a peer-to-peer online marketplace, where you can find your dream pair of vintage Levi’s or the perfect chunky ‘90s boots in a few swipes — has been on the rise for the last few years. In large part that’s thanks to Gen Z, its largest audience, who both shop and sell on the platform.

In its popularity, the social shopping app has become a space for users to start their own successful businesses. Even high-fashion brands like Rodarte and Annu Sui have joined the shopping app as sellers. With over 21 million users, there’s almost always a new shop popping up, and it can be difficult to stand out — especially as a secondhand retailer.

Ahead, tips on how you can build a secondhand Depop shop — directly from sellers. 

Establish your aesthetic

Jess Renzelman, 26, from Portland, Oregon, started her Depop shop in 2018 after she (like many on the app) began to sell pieces from her own closet. Soon, she grew her inventory by buying items to resell, though everything she sources remains true to her style. “I was never really thinking about resale value or what was trendy, [I was] looking for quirky and colorful prints that I would personally wear,” she tells Refinery29. “If you’re genuinely into the items you’re picking and have a point-of-view, odds are there’s someone else out there who will appreciate it.” Renzelman’s shop, Baby Face, has 18k followers and is scattered with printed blouses, long dresses, and kitschy purses. While she notes which items and brands sell best, “the basis for my shop is the same [as it was in the beginning] — source what you love.” 

Another Depop seller, 23-year-old DeJanir Green, from Reading, Pennsylvania, started her shop in 2019 after leaving college. “I was going to the thrift store probably three to five times a week. I started posting the items, and [my shop] took off,” she tells Refinery29. Green’s shop, Thick Mint, is a mix of trendy Y2K sportswear and vintage ‘90s pieces — two genres that are currently popular on the app. She started sourcing items that she would wear, but quickly expanded her search. “I realized there were clothes, that, even though I wouldn’t wear them, I knew someone would love it,” she says.

Mia O’Neal, a 19-year-old seller, from Southern California, launched her Depop shop, Juice Rack, in the summer of 2019 while doing a closet cleanout. “I vividly remember the joy I felt when I got my first sale because I didn’t believe anyone would want my old clothes. Eventually, sales started to pour in, and it took off from there,” she tells Refinery29. As her sales grew, O’Neal started outsourcing items from places like estate sales and secondhand shops. “I try to pick up pieces that fit my personal style, while being aware of what sells and what’s trending at the time,” she says. 

O’Neal says that establishing your shop’s style and aesthetic is key to bringing in customers. “I look for fun prints and colorful pieces. If it doesn’t bring me joy, I leave it for someone else to find,” she says. This extends to the appearance of the shop, too. “Work on your branding,” she advises. “Since [Depop] is heavily reliant on visuals and aesthetics, having visually attractive pictures is pretty crucial.” For example, O’Neal’s shop features light, lacy backdrops, muted tones, and naturally lit photos. Renzelman shoots all her pieces in front of a bright pink background. That said, having bright lighting goes a long way.

Optimize the listing 

Since Green started her shop, she’s created a checklist for listing items. “I take the maximum number of pictures that you can upload,” she explains. “[In the listing] I’ll include the color, the item description, the sizing, if it’s vintage or Y2K, etc.”

In addition to including other details like brand and condition (be honest about this one), according to Green, it’s good to include hashtags, ranging from the label name to the decade the item is from, to increase an item’s exposure to general searches on the app. “I also include measurements on my listings because it reduces the messages you’ll get from customers and gives people a better idea of how the item will fit, since vintage sizing can be all over the place,” Renzelman says.

Just like with the shop’s offerings, Renzelman says it’s important to have a consistent style to the listings (this is where having a checklist helps). “Modeling definitely helps, too. People understand the fit of items better and it puts a personal creative touch,” she says.

Have consistent stock 

Depending on how busy she is, O’Neal aims to list at least 10 items per week, but 30 items on a “good” week. “I try to update my shop with three to six new items every day to keep things fresh and coming up on the feed,” says Renzelman. “If you can keep adding new items regularly, people will know you’re active and take you seriously. They’ll also keep checking in to see what you’ve added, and you can get regular customers.”

To keep her shop fresh, she sources items according to the season and what’s trending. “I just did a Valentine’s Day collection with lots of slips, silky blouses, and floral dresses,” she says.

Be size-inclusive 

As with most of the vintage industry, it can be hard to find plus sizes within Depop’s selection, too. As such, sellers should aim to be as size-inclusive as possible with their range of offerings.

As a plus-size woman, Green wanted to bring trendier styles for all with her shop: “I see so many trends. Like the 2000s fashion is coming back — it’s cute, and so many people love it. But there’s not a lot of options for plus-size women.” When Green searched for plus-size clothing on Depop, the results didn’t feel modern or wearable. “I wanted to list clothing that plus-size women actually want to wear,” she says. 

Items on Renzelman’s shop go up to 3XL. “I’m a huge believer that there should be fun and exciting clothing for all bodies,” she says. “When sourcing, I pick items I like, regardless of the size, but I also actively look out for sizes that are harder to find.”

It’s also important to think about the purpose of selling larger sizes. “There’s a problem with people selling plus-size clothing to straight-sized people, either by reworking it to fit smaller sizes or calling it ‘oversized,’ which is offensive and takes those items away from people who need those sizes,” explains Renzelman. “People shouldn’t shy away from selling sizes that are different from their own but be conscious about how they sell them.” For items that don’t fit the seller, she suggests finding friends who can model them or using a flat lay photo.

Source and price fairly

Depop has also witnessed gentrification on the platform, as sellers list their low-priced thrifted finds with inflated prices — preventing buyers who seek out secondhand items because of their lower price tag from being able to buy them — and cleaning out inventory at thrift stores in places where people need affordable clothing the most. With this in mind, it’s important to consider where you’re are sourcing your clothing from and being mindful. Same goes with pricing. “Some sellers, especially on Depop, overprice items way above their market values… [but] they do not represent all of us,” says O’Neal.

As a seller, it can be difficult to find a balance: to sell items for a fair price while also trying to make a profit. “I try my best to work with the person if they send me an offer,” Green explains. “But I can’t sell an item for super low or the price I got it for at the thrift store because it is a business… I want to sell [an item] for what I think it’s worth.”

Some factors to take into consideration include the item’s market value, as well as any additional upfront costs you may have had to incur. “Sellers have to take into account all the steps that went into getting that item to the customer — sourcing, cleaning, mending, photographing, measuring, researching, listing, customer service, shipping. Depop also takes a 10% transaction fee,” she explains. “[Buyers are] paying for the convenience of [sellers] sifting through the plethora of clothing waste out there, to bring [buyers] the best of the best.” 

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The Artists That Shaped Angelcore — The Internet’s ‘Girliest’ Aesthetic

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How would you define your personal style? Which celebrities or trends, music or eras would you reference to help sum it up? What if you were asked to reduce it to a single word or phrase?

If you now find yourself in your late 20s or beyond, it’s likely that when you were growing up you identified with one of a small cluster of subcultures — emo or preppy, townie or goth — but if you’re younger, you may be better versed in the language of aesthetic culture which has found its feet online in recent years. There is even a website that helps you to figure out your brand: Aesthetics Wiki lists hundreds, if not thousands, of online and offline aesthetics to choose from. Some have been on the rise lately; others are about as niche as it gets. If you love country weekends, flowers in baskets, and home baking, for example, you might be cottagecore; if you love earth tones, fantasy fiction, and remnants of the steampunk trend, goblincore could be for you. In the mainstream Instagram and TikTok worlds, however, angelcore has taken center stage. It’s an aesthetic defined by dreamy, hazy, celestial images in a kaleidoscope of pinks and lemons and baby blues. But where did it come from?

The soft and girly aesthetic has its roots in the early 2010s, emerging at around the same time as a handful of female photographers began making glossy, subversive, and hyperfeminine images and sharing them online, shaping a whole new understanding of “girl pictures.” One such photographer, the British artist Juno Calypso, staged a series of self-portraits in powder-pink domestic scenes, and her popularity — especially among young women and girls — blew up. She went on to work with brands like Stella McCartney and posters of her photos now adorn bedrooms across the world. Calypso can trace her own approach to this clichéd “girly” aesthetic back to specific moments in her teenage years. “Things like that ‘Barbie is a slut’ T-shirt that was around in 2002,” she recalls. “I’d wear it proudly with bleached pigtails, wanting to be the Barbie-slut myself. Then there was an obsession with Paris Hilton, Nicole Richie, Lindsay Lohan. I guess it’s an ironic-bimbo aesthetic? But the irony was just a protection. Underneath, the pink velour really just gave me pure joy.” That’s the thing, isn’t it? At some point along the way, “good” or “proper” feminism became defined by a rejection of socially constructed beauty ideals. Now, artists like Calypso have helped a generation of us to understand that embracing and enjoying femininity — to whatever degree of pink and glitter we like — is just as radical an act. 

Beginning to make work shortly after Calypso, American artist Ashley Armitage‘s images really zoomed in on and defined the aesthetic as we see it on social media now. In 2016, she was making gorgeous, hazy pictures of her girlfriends at home, treating the images with fuzzy focus and pings of light. Disciples of angelcore — as well as interrelated aesthetics like softie and babycore — collect inspiration on Pinterest and Tumblr — contextless “dreamy” images found on blogs of fluffy clouds and cherubs, mirrors and roses. Armitage echoes the importance of this practice in her own evolution, remembering her first experiences of uploading images to the internet back in 2008. “Flickr was first and after that it was Tumblr, and I’d say Tumblr had a lot to do with me finding my aesthetic in my teen years. It was just such a nice community of people and inspiration. My Tumblr became my mood board. I’d find cute vintage photos and then reblog them so I could remember to use them somehow in my future work.” Then Instagram happened, says Armitage, and it’s there she continues to find the biggest sense of community around her work.

For the first few years of Armitage’s life, she was raised as a Jehovah’s Witness. This meant no Christmases or birthdays and in school, she had to sit out when parents brought cupcakes into class for the other kids’ special days. When she was five, her mother was excommunicated and her family left the fold. Armitage was grateful for the chance to grow up “fairly regularly” but perhaps having begun life without all of this color and sweetness goes some way to explaining the fantasy world she creates through her art now. “A dreamy pastel candy girl world” is how she once described it, which she follows up now by saying: “I tried to shoot a roll of black and white film last year and found it so incredibly boring. Lesson learned! I definitely am drawn to things that are ‘girly.’ I think a stranger could look at my work and guess that it was taken by a girl. A lot of this is just nostalgic for me. A lot of it is recreating memories or styles that I remember from my childhood.” Many of these aesthetic tropes are about childhood regression: teenage bedrooms, the things we loved in earnest back then. “Bedrooms and bathrooms are these intimate spaces that we all spend a lot of time in, and they’re just so aesthetically perfect,” Armitage continues. “Bedrooms remind me of being a teenager and listening to music on my bed, and bathrooms remind me of getting ready every morning for school alongside my mom and sister.” Calypso echoes this, adding: “I used to spend a lot of time alone decorating and ‘curating’ my bedroom, so there was also an urge to show that off in photographs.” 

Another leading figure of the soft and dreamy aesthetic, Swedish artist Arvida Byström began taking pictures in a similar way in the early 2010s, in bedrooms and bathrooms as a young girl. Her pictures are all cute underwear and candy-colored hair, selfie sticks and roses, love hearts and glitter and gold. Real girls, real bodies. Shooting in her bedroom was easy and cheap when she was younger but it was also an interesting window into intimacy, she says, in the same way our computer or phone screens are a window into our worlds and other worlds, too.

Brooklyn-born and raised photographer Rochelle Brockington agrees. A lot of her photographs are taken in bubbly soft spaces: rooms draped with flowing organza curtains and populated with candy-colored velvet sofas and beds. These materials feel familiar to her, she says — nostalgic, even — in a really warm and comforting way. “I like to think of all my photos being set in this dreamland that I created where everything feels great,” she muses. “For a while, I was a bit embarrassed about the fact that I loved pink and being girly. I didn’t want to approach that feeling because I felt like it made me seem immature or even silly but then I realized that pink is my power color.” 

“I feel at ease looking at the color pink and its different variations,” Brockington continues. “The soft aesthetic makes me feel at home. In my personal work, my subject matter mainly centers Black and brown people of color, and with everything going on today in society, I just think it’s important to reiterate that we can be soft, we can be ‘girly’ and monikers like that should include people that look like me, which usually isn’t the case.” She thinks the super-soft, pink aesthetic hasn’t been as inclusive or accessible to all bodies as it should be — which is bizarre, “considering that if you are [assigned] female at birth, pink is thrown at you” — but hopes that images like hers are slowly promoting change. “Some people are seen as soft and others not so much — but I like to create these types of images to help with that. Everyone can be soft regardless of size or gender; soft isn’t always feminine. I like to see all types of people tap into this aesthetic unapologetically if that is what they choose to do.” 

When asked why she thinks girls especially have been so drawn to making and consuming this style of imagery in recent years, Byström says: “I think it is the epitome of ‘girl’ and that is both very fun in the way that you can bond with other girls and make friends but it is also what is expected of you from society, so on some subconscious level, it probably feels very ‘right’ even though it might be right for the wrong kind of reasons. It could also possibly be a way to feel some sort of control over the world, alter it and make it look in a very particular way. It is really fun to find beautiful compositions and colors from a kind of brain work perspective.” Calypso adds that how we look still seems to be the highest form of social currency, which forms the basis for a lot of the self-image we project online — especially during our teenage years.

“Instagram deals in image anxiety,” she says, while with TikTok, “you can really go wild with perfecting your personality. Except you’re not practicing alone in front of a mirror anymore. You can perfect it and share it. It’s like dancing while nobody is watching, but now everyone is watching.”

There is an enduring softness to the pictures that all of these artists make, and in the folds of that softness lie real feminine strength and connection. The most important thing for Armitage, she says, is making her Instagram a “safe space” for her community. “I think that my followers are pretty incredible people and I’ve seen some amazing conversations and connections happen over the years,” she says. When talking about what she wants the girls in her pictures to feel when looking back at their images, she adds: “I want all of my photos to be a moment in time, like a sweet memory of what was happening in the world (or their world) at that time.” What someone was wearing, or what their bedroom looked like, or the objects they collected and showed off helps them to recall that time, she thinks. 

Brockington adds that girls are “taking back their autonomy” through the use of this aesthetic, reclaiming pinkness and softness from its association with being childlike. “Young adults wearing pink, dresses, and whimsical makeup is something that should be embraced,” she concludes.

Armitage’s visual style has evolved a little from the work she was making in the mid-2010s — her images have taken a slightly darker, more cinematic turn — and this is likely because this type of work grows with the artist, which is one of the most beautiful and sincere things about it. Calypso had a “blue period” and then made work about the uneasy side of women freezing their eggs. Byström’s creative evolution is about a change in message. “I used to want to highlight the kind of subversive sides of pink and girly aesthetics, which around 2010, wasn’t as prevalent in popular culture as it is now.” A decade later, she says, it is pretty clear to her that any political idea which is too centered around the visual is very easy for brands to capitalize on, which of course makes her wary. “I don’t think everything the human species makes has to be completely pure and healthy though, so now I do like the less dogmatic sides of aesthetics,” she adds. “It is fun to practice, it kind of draws people in, in this semi-toxic but also captivating and exciting way.” Meanwhile, she continues to make beautiful, compelling images exploring femininity and online culture. On her website, she describes herself as “a digital native with an intrinsic relationship to pink.” A video of her with bunny ears and butterflies loops in the background. What could be more aesthetic than that?

Aesthetics like angelcore and softie are ultimately movements owned and shaped by girls, with a focus on reclaiming femininity and self-image in the internet age. What that means has, of course, changed over the decade but artists like Armitage, Byström, Calypso and Brockington laid the groundwork for aesthetics like this to bloom across the internet and across subsequent generations. Young artists and content creators on TikTok now are picking up on the visual styles these women created, mixing them with elements of trends like the Japanese kawaii and loading them with tears and wings, harps and halos as per their current aesthetic of choice. In the pictures flooding their feeds, though, the visual mood remains the same — they’re all pink pastel girl worlds, where anything is possible.  

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​करीना कपूर अपने न्यू बॉर्न बेबी के साथ घर पहुंच चुकी हैं। इसके बाद उनके दोस्त और परिवार के लोग तैमूर के छोटे भाई से मिलने पहुंचे। हालांकि, ये बात अलग है कि बेबो के घर पहुंचने वाले इन मेहमानों में से मलाइका अरोड़ा ऐसी रहीं, जिनका लुक ऐसा था कि लोग उन्हें बस देखते और तारीफ करते रह गए।

दीपिका को मीडिया से प्रटेक्ट करते दिखे रणवीर सिंह, मैचिंग कपड़ों में जीता फैन्स का दिल February 23, 2021 at 10:51PM

दीपिका पादुकोण और रणवीर सिंह बहुत कम समय में ही लोगों के फेवरिट कपल्स में से एक बन गए थे। ये दोनों एक-दूसरे को लेकर जिस तरह से केयर, प्यार और अफेक्शन शो करते हैं, वो दूसरों को भी कपल गोल्स देता नजर आता है। इस बार स्टार कपल को एक रेस्ट्रॉन्ट में डिनर के लिए जाते हुए स्पॉट किया गया। आउटिंग के दौरान दोनों ने मैचिंग कलर के क्लोद्स पहने थे।

घर से बाहर निकलते ही निक्की तंबोली का हॉट लुक आया सामने, नहीं देखी होंगी ऐसी तस्वीरें February 23, 2021 at 10:40PM

'बिग बॉस 14' से अपनी अलग पहचान बना चुकीं निक्की तंबोली भले ही शो को नहीं जीत पाई हों लेकिन अपने स्टाइलिश लुक्स से इस बाला ने लाखों दिलों को जीता है। ऐसा ही कुछ हमें तब देखने को मिला जब निक्की को मुंबई के अंधेरी में स्पॉट किया गया।