RITU KUMAR | PAYAL SINGHAL | SANGEETA BOOCHRA | ASHIMA LEENA | AHILYA | SATYA PAUL | SHAZE | AZA | RINA DHAKA | GLOBAL DESI | ZARIIN |
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Dresses | Dresses | Designer Piece | Kurtas & Kurtis | Kadda | Sarees | Jewellery | Ethnic Wear | Designer | Women's Shoes | Sportswear |
Kurtas | Western Wear | Jewellery | Salwar Suits | BangleSet | Printed Sarees | Earnings | Sarees | Dress Material | Jewellery | Sports & Shoes |
Jackets | Tops | Bangles | Tops | Pendants | EmbellishSarees | Bangles & Bracelets | Kurtas & Kurtis | DesignerSaree | Fashion Jewellery | Gold jewellery |
Tops | Ethnic Wear | Coin & Bars | Leh Cholis | Kadda | Handbags & Clut | Rings | Salwar Suits | Blouses | Bridal Set | Pumps & Pee |
Skirts | Salwar Suits | Earings | Western Wear | Acessories | Bags & Luggage | Jewellery Sets | Chunnis & Dupattas | Gowns | Jeans | Spectacle |
Jumpsuits | Sarees | Chains | Dresses | Earings | Top-Handle Bags | Sunglasses | Bottom Wear | T-Shirts & Shirts | Jeans & Jeggings | Nightwear |
Friday, August 21, 2020
बॉलिवुड की 5 ऐक्ट्रेसेस, जिन्होंने अपनी शादी में नहीं पहना लाल रंग का जोड़ा August 21, 2020 at 07:31PM
जब असली शादी से पहले ही लोगों ने प्रियंका चोपड़ा को बता दिया था 'शादीशुदा', वजह बना था ये ब्रेसलेट August 21, 2020 at 06:32PM
15 Fashion-Forward Places To Buy A Wedding Dress Online
In the past, quality issues and limited return policies may have prevented brides from buying their wedding dress online, but we’re now living in the golden age of the online bridal shop. With the arrival of wedding shops from the likes of e-commerce retailers like MatchesFashion, the selection is as fashion-forward as it’s ever been. Bridal brands like Floravere, who are disrupting the industry by making it more transparent and the experience more tech-savvy, are also on the rise. In addition to offering stylish wedding wares, these places also offer the convenience of buying your accessories all in the same place, making the experience seamless for brides who are not looking to spend their time going to several stores.
Ahead, the best places to buy wedding dresses in every budget.
At Refinery29, we’re here to help you navigate this overwhelming world of stuff. All of our market picks are independently selected and curated by the editorial team. If you buy something we link to on our site, Refinery29 may earn commission.
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20 Years Later, The Costumes Of Bring It On Hold Up
Two decades later, the fashion of Bring It On feels somehow even more on-trend today than it did when it came out. Bike shorts, chunky New Balance sneakers, tie-dye — these all are the hallmark looks of the 2000 cheerleader teen comedy. “What goes around comes around in the world of fashion, it’s cyclical. And what you see now, in 2020, you’re going to see it again in 2040, so it just circles and cycles around,” says costume designer Mary Jane Fort. “I really tried to make it as authentic as I could for that age, at that time, and not be too trendy. I wanted something that could hold up.”
She succeeded. Following the story of two rival teams, San Diego’s Rancho Carne Toros, led by Torrance (Kirsten Dunst), and Los Angeles’ East Compton Clovers, led by Isis (Gabrielle Union), Bring It On’s fashion features all of today’s biggest trends, alongside relics of the time, like tube tops, butterfly clips, and platform sandals, that fared less well. “I was just trying to tell the stories of the characters and who they are. And, of course, you look at fashion [around you at the time], but you don’t necessarily follow it.”
When it came to the two uniforms, which are arguably the most iconic looks from the film according to Fort, it was “a lot of fun to design them.” The main colors, red for the Toros and green for the Clovers, were a strategic choice: “The colors were a group decision with myself, [film director] Peyton Reed, the production designer, and the director of photography because it reflected the colors of absolutely everything else.” After the colors were selected, Fort came up with two styles for the Toros: a sleeveless and a turtleneck version. “That’s actually just two pieces,” says Fort of the turtleneck they slipped underneath the shell top. “It looked like two different uniforms, but it was the same uniform.”
To make clear that the Clovers were from a bigger city than the Toros, Fort added “little subtleties” to their uniforms to make them appear more trendy. The tops are shorter and the style, with the red-and-yellow accents and more geometric neckline, bolder and more confident in comparison to Toros’ more traditional look.
Fort wanted to make sure that the rival looks could also stand side-by-side as equals in the film’s most pivotal scenes. “The two uniforms had to work together. They had to complement each other without matching, without competing, and both had to be noticeable.”
When coming up with the costumes used outside of competitions and practice, Fort envisioned “places that the character could go to, be it the mall or the local boutique.” As the costume designer behind the other most popular film of the time, Mean Girls, she has experience with that. “You try to get into the head of where the characters would be able to go — like, where would Torrance go to get her sweats?” she says. For the Toros, Fort envisioned a beachy look, mimicking what people wore at the time. “It is the antithesis of trendy,” she says. “In Southern California, people wear shorts, people wear tank tops.” Meanwhile, Clovers were dressed in more on-trend fashion of the time. (It should be noted that the mostly-open cardigan with nothing underneath, seen below, is one of the biggest trends of this summer.) “It’s the same with the Clovers. You would go to the places that they go to,” she says. “They had more options of places to go, being from a bigger city. Things that you couldn’t get in the more sort of provincial place like San Diego.”
Torrance’s wardrobe is indeed girl-next-door saccharine sweet, filled with floral dresses and capri pants that she pairs with pastel sweaters. “She’s the head cheerleader, so she has a certain perkiness to her and she has a very precise way of putting everything together,” Fort says. In some instances, that translates to all-pink everything, from cutesy pink pajamas (with heart prints and kiss prints, no less) to a “Campus Queen” pink tee and a pink floral bikini which she pairs with floral-embellished platform flip-flops. “She’s that girl — pink is her favorite color, and that’s what she wants to be in,” says Fort.
This was meant to contrast the look of Missy (Eliza Dushku), the new girl who transfers from a school in Los Angeles and, at first, is hesitant to join the team. “Your school has no gymnastics team, this is a last resort,” she says in one of Bring It On‘s most iconic lines while auditioning in a “Rub Here For Good Luck” crop top showing a buddha and unpractical low-rise pants.
“She’s not a girly-girl,” Fort says. “She comes from Los Angeles, and I know it’s only a 100 miles away, but there’s a world of difference.” While Missy opts for a darker color palette and leather jackets, Torrance reaches for hoodies and a vibrant color scheme.
While their styles are in contrast to each other, in practice, all the girls are similarly dressed, wearing the workout go-tos of the time: Nike sports bras and athletic shorts, Adidas track pants and crop tops, tank tops, bandanas, and scrunchies. “The cheerleading costumes were so bright. [And] they were in them a lot. We didn’t want to overpower [the rest of the film] with clothes and too many pieces,” says Fort. It’s ironic, then, that it’s the same looks that we find ourselves wearing today in quarantine, with athletic shorts, bandanas, and sweatsuits becoming the (unofficial) uniform of 2020.
All to say, we would gladly borrow Bring It On’s entire wardrobe. Don’t agree? To quote the great Torrance Shipman, “This is not a democracy, it’s a cheerocracy. I’m sorry, but I’m overruling you.”
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Shopping When You’re Plus-Size Isn’t Therapeutic — Just Ask Plus-Size Women
“I don’t want fast-fashion pieces that fall apart after one wear. I don’t wear expensive basics that cost double or triple the price they are worth. I don’t want another body-con dress, nor do I want a muumuu. I want items actually made to fit my body.”
“We are told that brands can’t afford to produce garments with the same margin for us as our smaller counterparts because the cost of the fabric it would take to cover our bodies is too high.”
“As an adult, I’ve always struggled to find knee, or right under-the-knee, high boots that fit my calves — at this point, I’ve essentially resigned myself to not wearing any ever again.”
These are just a few of the dozens of responses I received after asking plus-size women what frustrated them about shopping, both before and during the pandemic. And while the details naturally varied person to person, one overarching theme rang true throughout each and every conversation: The fashion industry doesn’t much care about dressing plus-size women, and it shows in the options it provides for them.
In July, plus-size influencer and fashion designer Gabi Gregg — or, as most of her 814k Instagram followers know her, Gabi Fresh — called out Topshop on Twitter for advertising a blazer as “oversized” on a thin model despite not offering sizes above a 14. Her tweet read: “When brands say it’s too expensive to add plus sizes because of the amount of fabric it takes, but then make shit like this lol.” On Instagram, she added: “If you can make a size 22 blazer for a size 6 girl to wear, you can make a size 22 blazer for a size 22 girl to wear.” More than 78k people liked the post. The 1.4k comments are filled with complaints from real women about how the plus-size retail space has failed them.
View this post on InstagramA post shared by Gabi (@gabifresh) on Jul 29, 2020 at 11:19am PDT
And Topshop is hardly the only brand guilty of this. Zara, & Other Stories, Free People, and more fashion brands with similar price points and styles have also designed purposely oversized items for their clientele whilst continuing to offer no options above size 14. “It underlines an unspoken trend in fashion, which is that whatever a thin celebrity wears becomes trendy, but the same rules don’t apply to plus women,” says Annika Chaloff, the founder of plus-size lingerie brand Hey Mavens. “Bike shorts, baggy tees, mom jeans, and chunky sneakers are good examples of trends that are generally accepted only on thin bodies.”
It’s important to note that plus-size women do not want brands to simply throw some extra fabric on a design made for straight sizes, label it as plus-size, and pat themselves on the back. Under Gregg’s tweet, a user named Elena replied with: “Don’t give them ideas, they’re going to sew in an XXL size tag and leave the tiny arm holes,” proving just how little faith the plus-size community has in terms of the quality and design of garments that do come in their size. “I want care put into designs and structures so that garments fit my body,” says Universal Standard shopper Audrey Sopata.
The case of “oversized” clothing trends is only one of the many disappointing aspects of shopping as a plus-size woman. The sheer lack of options was one of the most common frustrations expressed to me. “If I had to pick one thing, I would just want to see MORE plus-size options,” Chaloff says. “I want to see more shops and brands carrying and creating plus styles. I want to see more plus models used in campaigns. I want to see more labels coming onto the market that cater to plus size. More more more!” Chaloff goes on to reiterate the importance of preserving the design of garments as the size is graded up from a straight size. Plus-size women still want clothes that fit, which really isn’t asking a lot. “Oftentimes, the integrity of the design of a piece will get distorted as it gets graded to a larger size, either because proportions aren’t carefully considered or because extra seams or panels are added to accommodate a larger body. Some of these changes are necessary to maintain proper fit, but it is a shame when the original design of a garment is compromised.”
And it’s not just clothing. Jewelry, footwear, and accessory designers also need to step up to the plate and offer more thoughtful options for women sizes 14 and up. Alyssa Kaplan, the founder of The Scrunchie Club, an accessories brand that caters to womxn and non-binary people of all sizes, has experienced frustration when shopping for boots in her size. Kaplan explains that in trying to find a pair of knee-high boots, she realized that rarely do footwear brands make fashionable styles that are wide enough in the calf to fit her, so much so, that she’s given up on the silhouette entirely. To prove that she wasn’t alone in this struggle, Kaplan conducted a survey last year that showed that 95.3% of women (96% of the 275 respondents identified as plus-size) have experienced trouble shopping for boots that fit their calves. Sopata, a shoe size 11 wide, says that most stores do not go past a size 10; if they do, they rarely carry a wide size. “In order to find a new shoe that fits and that I like, I usually have to go on a deep hunt that requires me to order online and hope for the best,” she says.
The plus-size jewelry industry is also limited. Last year, the founder of popular plus-size lifestyle and fashion blog The 12ish Style Katie Sturino told The Zoe Report that “the current state of size inclusivity within the jewelry industry is almost non-existent.” She went on to explain that while the industry has “bigger fish to fry,” there’s still a “clear need for extended sizing in jewelry. Every item that is available in straight sizes should also be made available in extended, and I know there’s a market for this just like with clothes.” Even handbags, which are often misconstrued as one-size-fits-all, need to up their game when it comes to cross-body styles and shoulder bags.
The issue of in-store placement — especially in department stores, which are often some of the only places that women sizes 14 and up can find a range of items in their size — also continues to disappoint many plus-size women. “Brands that do offer a wider range of sizes in a department store should have all their clothing displayed near each other,” Sopata says. She poses two valid questions: (1) “Why is straight-size Calvin Klein on the bottom floor, but plus-size Calvin Klein is upstairs and in the corner?” and, (2) “How does separating plus and straight encourage me to shop with a group of friends when I am already separated from them?” For Sopata, the very act of having to drag her friends to an entirely different part of the store just to “be disappointed that none of the cute clothing you saw on the bottom floor is available for you to wear” takes away the fun of shopping with friends — or at all — entirely. “It’s also not so much fun for your friends to see you get discouraged and have to leave a store empty-handed because they just don’t sell your size,” she adds.
Sopata isn’t alone in her grievances. When Emma Grede and Khloé Kardashian launched their size-inclusive denim brand Good American at Nordstrom, they put pressure on the Seattle-based retailer to merchandise all of their products in the designer denim section, regardless of size. “We started Good American because we want women’s shopping experiences to embrace the new body ideal,” Grede told Nordstrom at the time of the launch. “It’s just crazy that we still have plus sizes and are splitting up friends who go shopping together into different departments based on their size.” According to Digiday, the duo’s insistence was an “a-ha” moment for the retailer. It’s since begun implementing more inclusive merchandising tactics both in-stores and online. Nordstrom has also increased its budget for plus-sizes.
Even with Nordstrom’s advances and others, the department store sector often still falls short. “Just recently, while visiting family in Orlando, I discovered that the plus-size section at Macy’s is still hidden in the back of a high floor,” Sopata tells me. “Walking back to that section, you can see the clothing become less and less fashionable; the dismissive designs and the lack of style is an indication that you must now be in the plus-size section of the store. After the plus-size revolution that has happened over the last seven or so years, I cannot believe that these unflattering frocks offered to plus-sizes in department stores are still a thing,” she says.
She’s right — the fashion industry has come a long way since Eloquii, a go-to for plus-size women who want quality clothing that’s also on-trend and affordable, launched in 2012. Luxury offerings have increased dramatically in the last few years with the launch of plus-size designer retailer 11 Honoré in 2017, followed by plus-size fashion editor Lauren Chan’s designer workwear brand Henning in 2019. Fashion brands such as Anthropologie, J.Crew, H&M, and Mango have all introduced extended sizing, and Universal Standard has further increased its already history-making size range. After launching in 2016, Good American has become a good resource for plus-size women to find denim, activewear, and now loungewear that fits their unique proportions well. One brand, Pari Passu, is changing the way plus-size clothing is sized entirely, by designing according to body shape rather than a number.
But in 2020, when nothing is certain and businesses are closing right and left, the wins that the plus-size industry has seen in the last few years aren’t necessarily set in stone. In fact, Ascena Retail Group, which owns and operates plus-size brands like Lane Bryant and Cacique, was recently forced to close down all 264 Catherines store locations. (The intellectual property assets for Catherines were sold to Australian brand City Chic Collective.) The parent company also permanently closed a number of Lane Bryant and Lane Bryant Outlet locations. The momentum around plus-size fashion needs to keep going, or else the majority of women in the U.S. — those of which are size 16 to 18 — are going to continue feeling frustrated and left out when shopping for something as simple as the clothing they wear on a daily basis. Things are hard enough as it is right now — shopping shouldn’t add to that.
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