As you bundle up in cozy oversized shearling and sherpa jackets, don't forget the complementing accessory that will enhance it all: fuzzy purses. The fun contrasting texture brings warmth to all your cold-weather looks, whether you're honing in on the biker fashion with a leather jacket or snug in a cashmere sweater and winter coat. Fuzzy purses can simply be anything from faux fur, fleece, shearling, or Sherpa handbags. All that it requires is a teddy bear-like exterior that exudes homey vibes.
We've found purses in every form, like boxier silhouettes, slouchy ones, quirky dumpling shapes, and crescent styles. Gym rats will be obsessed with Nike's elevated faux fur tote with a removable strap. Meanwhile, all the fashion girlies will swoon over Coach's elegant shoulder bag with a shearling gold chain strap. Scroll ahead to find the fuzzy tote bag, crossbody, or clutch designed for you.
At Refinery29, we’re here to help you navigate this overwhelming world of stuff. All of our market picks are independently selected and curated by the editorial team. If you buy something we link to on our site, Refinery29 may earn commission.
ICYMI: It's December, people. Thanksgiving came and went faster than we could say "Let's eat," and the holidays have officially proclaimed "Season's Greetings!" That means that if you're not going full speed ahead with your holiday gift shopping at this point, there's a chance you're running behind schedule. But for those of us who've barely emerged from our food comas — let alone even thought about navigating the rocky cyber terrain of the online retail world — our shopping team is here to help. And we're kicking off the season with the best Anthropologie gifts — the ultimate spot for fun, funky, and festive finds.
Each year, it's the same story. Finding the perfect present is a daunting task, whether it's for the mother-in-law or for the tween-age niece who calls TikTok her trend bible. And not to get too millennial on you, but sometimes the more choices you have thanks to The Internet, the harder it can be to make a decision and check things off on the ever-growing gifting list. So we narrowed down the best Anthropologie gifts to give you a streamlined list of our editor-approved picks — from candle sets to garden shears, monogrammed journals, and more. We may not personally know the people you're shopping for this year, but we're pretty sure there's an Anthropologie gift for everyone ahead.
At Refinery29, we’re here to help you navigate this overwhelming world of stuff. All of our market picks are independently selected and curated by the editorial team. All product details reflect the price and availability at the time of publication. If you buy or click on something we link to on our site, Refinery29 may earn commission.
Warning: Minor spoilers forPoor Thingsahead. While we’ve come to associate the visuals of Frankenstein with ugliness, when it comes to costumes in Yorgos Lanthimos’ Poor Things — a quasi-Frankenstein tale based on the ‘90s novel of the same name — they are anything but horrid. The technicolor 19th-century fashion featured throughout the film — out now — paints a much brighter picture than what you imagine from a story that begins with a woman undergoing a brain transplant experiment following her attempt to take her own life.
We first meet the childlike protagonist, Bella Baxter (played by Emma Stone), while wearing a grandiose, voluminous top with bloomers (which she later wears with a quilted lobster-like skirt) inside her house. These outfits exemplify the fashion in Poor Things, which offers a modern take on late 19th-century fashion. “[Lanthimos] didn’t want me to do a period drama,” says costume designer Holly Waddington. Her research started by looking at the 1890s — when, for example, “massive sleeves” were the trend of the moment — and then re-imagining them to fit the fantastical plotline. “I was using Victorian shapes and then I was finding other ways to interpret rich textures, which for me needed to feel animal and unruly and organic,” says Waddington.
The somewhat leisurely outfits soon turn into vibrant, adventure-ready outfits, that reflect Bella’s unbound curiosity and imagination, as she leaves the comfort of the only home she’s ever known and gets introduced to the outside world. From then on, it’s an explosion of bold colors and frothy silhouettes that sometimes look straight out of a fashion blogger’s street style photos. There is a ruffled white top and yellow shorts ensemble, which Bella pairs with tiny black sunglasses, a blue cropped jacket, and booties; and a white ruffled top with an ethereal, see-through pink skirt. As Bella is exposed to more things in her travels, her outfits gain layers, too: When she is first introduced to poverty, she becomes aware of her high-class status while wearing a Victorian white puff-sleeve gown.
But Waddington did use some traditional styles in the film, particularly for the men — like Godwin Baxter, the doctor who conducted the experiment on Bella and whom she calls “God,” played by Willem Defoe — who wear mostly sober colors and silhouettes that are more in line with the late 19th century. This way they serve as a stark contrast to Bella’s childlike awe. “She’s not saddled with the years of being part of the world and being brainwashed,” Waddington explains. “There’s an impulsive quality to her, so I really liked the idea that the clothes would be effortless.”
Even when Bella is behaving according to the norms set by social institutions at the time — school and marriage — she does it dressed in unorthodox fashion. One of the strongest looks in the film comes during the wedding ceremony when Bella is dressed in a poofy white gown with a veil placed on the bottom half of her face. Waddington says she wrestled with the idea of Bella wearing a veil for days because it’s such a traditional item of wardrobe: “She wouldn’t wear this thing, it’s ridiculous.” Ultimately, Waddington decided to tie in around Stone’s face, which ended up being the actor’s favorite look from the film.
Throughout the movie, we also get to know Bella’s prior life — one marked by the patriarchal conventions of the time — that she attempts to escape. To symbolize the heaviness and entrapment that the character felt, Waddington borrowed looks from a fashion photography in 19th-century: a bold blue gown with a traditional coat and an armor-style copper dress with gold detailing. “What I was looking for was a stark contrast [to the looks she wears post-experiment],” Waddington says. “They’re heavy, they’re beautiful, they’re serious and they’re loaded.”
As twisted as Poor Things is — my head was spinning by the end — there’s a relatability in both the story and the fashion that’s exhibited in the final moments of the film. Bella gets to be herself, freed from the expectations of Victorian society. And she’s dressed to match — in a cream knit sweater and copper maxi skirt. “They’re just clothes at this point,” says Waddington. “I just wanted it to be like she just found herself, she knows who she is.”
Poor Things is now playing in select theaters and nationwide on December 22.
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