Wednesday, April 7, 2021

Sophie Turner’s Latest Look Is On-Trend & Vacation-Ready

British actress Sophie Turner poses during a photocall as part of the 45th Deauville US Film Festival, on September 7, 2019, in Deauville. (Photo by LOIC VENANCE / AFP) (Photo credit should read LOIC VENANCE/AFP via Getty Images)

On Tuesday, Sophie Turner spent her afternoon basking in the sun, listening to Taylor Swift’s “Mr. Perfectly Fine” (to husband Joe Jonas’ dismay, we’re sure), and showing off a really good ‘fit. For the backyard festivities, the Game of Thrones star seems to have paid homage to the tropical vacations we didn’t go on this last year, pairing a knit polo-short set from Calle Del Mar with a tropical button-down from Louisa Ballou. Naturally, as one of the house’s top ambassadors, she finished off the look with a sporty pair of sandals from Louis Vuitton. Alongside an Instagram slideshow that showed off her outfit, Turner wrote, “I’ll have a piña colada please.” Make that two.

Further adding to the beach vacation aesthetic, both her ribbed, matching set and the top she layered over it are in very on-trend shades of green. Looks from David Koma, Balmain, and MSGM appeared in hues ranging from emerald to chartreuse and mint on the spring 2021 runways last September. Now that the color trend has Turner’s stamp of approval, we’re ready to incorporate it into our spring and summer wardrobes, too. 

Jonas also approved of the look. “Talented, brilliant, incredible, amazing, show-stopping, spectacular,” he commented below the photo, alluding to a quote from Lady Gaga. Whether or not he was just buttering up his wife after catching her listening to Swift’s song that’s allegedly about him, is undetermined. Either way, he was right on the money with his assessment of her vacation-ready look. 

No matter if you’re going on an actual vacation or, like Turner, just pretending to in your own backyard this summer, shop her pieces below. 

At Refinery29, we’re here to help you navigate this overwhelming world of stuff. All of our market picks are independently selected and curated by the editorial team. If you buy something we link to on our site, Refinery29 may earn commission.

Like what you see? How about some more R29 goodness, right here?

Slipper Boots Are This Season's Most Popular Trend

Sophie Turner Wore Fall's Biggest Outerwear Trend

Sophie Turner's Necklace Has A Secret About Willa

With The Red Carpet on Pause, TV Is The Destination For Fashion Inspiration

In before-times, we’d be glued to our multiple screens right about now, taking in all the award season fashion inspiration. Then we’d imagine ways to wear our own versions of the looks to, say, lively restaurants, crowded bars, or open-space office plans. But with a dearth of IRL celebrity red carpet moments in the last year as a result of the pandemic, it is the shows on the small screen that have been providing us with much-needed style inspo. While we may be confined to a stay-home life, we’ve vicariously toured the City of Lights while teetering around in impossibly high heels with Emily in Paris, experienced light-headedness, thanks to corsets and Regé-Jean Page in Bridgerton’s steamy Regency-era London, and wandered Manhattan’s Upper East Side while bundled in a series of can’t-miss coats in The Undoing. 

Of course, this isn’t a new phenomenon. People have long been influenced by TV fashion. Think: Charlie’s Angels in the ‘70s; Dallas and Dynasty in the ‘80s; Fresh Prince of Bel-Air, Friends, and Sex and the City in the ‘90s and early ‘00s; and Gossip Girl, Mad Men, and Scandal from late ‘00s to mid-2010s all spurred mini fashion moments of their own. But in the absence of actors living out their glam public lives — photographed at events and movie premieres — viewers have turned to their on-screen characters. In fact, our screen style consumption is now leaving a paper trail — or online footprint, rather — and clearing out inventory. 

According to global shopping platform Lyst, the October release of Emily in Paris led to a rush on multiple pieces worn by the titular Chicago transplant (Lily Collins), including the Ronny Kobo green python mini skirt that Emily wears on her first day of work in Paris, as well as the hot pink denim style by Chiara Ferragni (both sold out). Searches for her oft-worn Kangol bucket hats jumped a whopping 342%, Ganni skirt searches increased 289%, and the Marc Jacobs’ Jelly Snapshot Camera Bag spiked 92%. Across the pond in New York City, Nicole Kidman’s outerwear collection from The Undoing inspired interest as well. According to Lyst, searches for green coats rose 35%, month-over-month, while velvet and floral styles jumped 46%. 

Grown-ish costume designer Michelle Cole confirms that viewers are currently more invested in wardrobes of fictional characters. Since the mid-season premiere in January, Cole has noticed higher fashion-related fan engagement on her own Instagram and the show’s social channels, compared to years prior. “There are definitely more comments about the wardrobe than ever before,” she says. Data provider Semrush found that searches for “grown-ish outfits” spiked 93% from December 2020 to the show’s return in January 2021, while interest in Zoey’s (Yara Shahidi) outfits jumped 104%, over the same period. Cole points out fans are enjoying seeing fashion we’re decidedly not wearing right now. Fabulous outfits, like Zoey’s head-turning holographic dress worn over a rainbow mesh top by Dolls Kills, keep us conjuring looks we’ll wear in the future — even as we continue to wear soft pants and PPE. “[The show’s] clothes aren’t representing what’s happening now and those types of clothes are not in the store right now,” says Cole.

Enthusiasm for on-screen style isn’t limited to contemporary fashion, either. The December release of the Shonda Rhimes-executive produced Bridgerton fueled a #Regencycore frenzy. On Lyst, searches for corsets surged 123%, pearl and feather headbands by 49%, and empire waist dresses 93%, with brands Brock Collection and Erdem leading the pack. “I have friends in England that are running around buying fans,” laughs frequent Shondaland costume designer Lyn Paolo, on a call. Like us, she binged the series and appreciated the period, with a twist, work by colleague Ellen Mirojnick. 

Paolo made her onscreen mark when she redefined power dressing on Scandal, while inspiring legions of viewers with Kerry Washington’s aspirational, yet functional Prada work totes and plush designer coats. Thanks to Paolo’s close relationships with fashion houses, including Ralph Lauren, Michael Kors, and Christian Siriano, many of D.C. fixer Olivia Pope’s killer pieces were runway samples. So when standout items, like the iconic white Burberry trench, hit the screen, they were available to purchase — and promptly sold out.

Paolo expects the enthusiasm for screen style to continue — and is ready to deliver the inspiration. Her next project for Shondaland is Inventing Anna, the Netflix limited series that chronicles the exploits of faux German heiress Anna Delvey, who scammed her way into New York City’s party scene. “Fashion is a huge element in the show,” hints Paolo.

Bolstering her grift, Delvey ensured that her expensive, questionably procured wardrobe featured all the mid-2010s mainstays, like Gucci sandals and Céline glasses, plus pieces that alluded to Alaïa or Balenciaga. But, based on Paolo’s past work, we’re guessing Julia Garner’s version of the society grifter will be an elevated and stylistically heightened portrayal. For proof, look at the paparazzi pics of the actor on-set, clad in a houndstooth sleeveless cape and carrying a red Dior Lady Bag, that have been making rounds. 

Delvey’s deception was exposed in a 2018 New York Magazine story by journalist Jessica Pressler. However, Paolo reveals that she sourced pieces from current collections rather than archives. That said, with filming uncertainty during the pandemic and no release date yet, timing a look’s on-screen debut with availability may prove different from before-times. (But, hey, that’s what resale sites are for, right?)

The upcoming Gossip Girl reboot will also provide much-needed fashion inspo. Already, photos of the new, way too cool cast lounging on the steps of the Met last November sent everyone on the internet scrambling to identify and buy the few looks shown. “That was blowing up all over because people were at home and that was the first taste of it,” says Gossip Girl costume designer Eric Daman about the response over the phone.

He started his career as an assistant to Emily in Paris costume designer Patricia Field on the HBO series Sex and the City, which changed the way an entire generation dressed — and, incidentally, has also received the green light a revival from the platform. (While it hasn’t been announced whether Field will helm the SATC reboot’s costumes, she is confirmed to return to Season 2 of Emily in Paris.) Daman then made his own cultural impact costume designing The CW’s Gossip Girl during a seachange period of fashion and television crossover. Actors, regularly snapped by tabloid photographers in a pre-Instagram era and on red carpets, suddenly became style stars that fashion houses wanted to dress both on- and off-screen. Daman was also on the forefront of borrowing runway and sample pieces from established designers, from Chanel to Valentino, and then-up-and-coming labels, like Proenza Schouler and 3.1 Phillip Lim.

“We turned it into a living editorial. You would tune in to be inspired and to get that frenzy of what a fashion magazine at one point would supply,” he says. Coming full circle, over the years, the Gossip Girl aesthetic influenced the runways from which Daman pulled. Most recently, the alice + olivia by Stacey Bendet Fall 2021 collection, which Daman helped style, featured prep school plaids and Blair Waldorf-esque puff sleeves. Also inspired by comfort viewing: In lieu of a NYFW runway, Coach presented “Coach TV,” a series of shorts paying homage to pop culture classics, including Friends and Shaft.

Nearly a decade after the original Gossip Girl ended, Daman continues to create unexpected looks we want to copy and cop. It also helps that he’s sprinkling in accessible and affordable pieces, a formula that has proven successful in the past on shows, like the aforementioned SATC and Emily in Paris. See: Jordan Alexander’s white croc-embossed Schutz Abbey boots — styled with a very SATC red Fendi baguette bag — and Savannah Smith’s platform loafers by Sam Edelman that saw interest from viewers following the release of the GG photos. (Even Amazon’s algorithm is on board; my recent search for the Schutz boots, now only available in black, suggested I also look at the SE loafer — xoxo Gossip Girl.)

But true to Daman’s M.O., jaw-dropping high-end designer and couture looks will also make the cut — or as evidenced via the pap pics, anyway. In November, Alexander wore a sculptural Christopher John Rogers gown from the Spring 2021 collection, backed by Zion Moreno in a fluttery floral Giambattista Valli dress, while filming — thus indulging our red carpet deficiency, but in a more relatable way. Similarly, the Givenchy metallic pleated gown on The Undoing could rival any of Kidman’s real-life red carpet gowns, and was worn by Emma Stone at the 2018 premiere of Maniac.

With virtual red carpets continuing to replace in-person step-and-repeats, we’re no longer sartorially satisfied by a celeb posing in a stunning gown — so far removed it is from our coach-all-day-every-day lives. Instead, we’re looking forward to days when we can go on vacation, attend an event with all our friends, or indulge in some in-person office drama.  Thanks to the small-screen fashion moments from the last year — and many more ahead — we’ll have plenty of inspiration for when the time finally comes.

Style is a powerful way to express what we cherish, reject, prioritize, and value. After a year of extreme challenge and change, 29 Big (Style) Trends charts the new ways in which we outfit our lives, revealing what we’ve been through, and where we’re headed.

Like what you see? How about some more R29 goodness, right here?

How To Shop Looks From The "Gossip Girl" Reboot

Emily In Paris Fashion Nods To Sex And The City

Bridgerton Is All About Corsets & Bloomers

The Joy Of Gender Expressing

Since the pandemic began, I’ve changed my Instagram bio 12 times. A year ago, it read “lil andro idiot in coveralls *lipstick emoji rainbow emoji cartwheel emoji* – she/her.” I wrote this because it was true; it explained who I was and how I expressed my gender. It felt like a comfortable way for me to describe myself on the internet. And then, the pandemic hit. I mostly stopped wearing coveralls and definitely stopped wearing lipstick. Instead, I lived in sweatpants and cropped T-shirts. When it was cold, I added a sweatshirt and fuzzy socks. Looking in the mirror, I saw a version of myself that had never really existed before — a me who stayed inside 24/7, with a makeup-free face and a paint stain on my high school swimming sweatpants; a me who stopped putting effort into my appearance.

A lot about my life changed, all at once: I left Brooklyn for the first few months of the pandemic to stay with my parents in their suburban home. Instead of going to an office or out to see friends, I suddenly didn’t have anywhere to go or anyone to see besides my immediate family and immuno-compromised wife, and so I leaned into what felt natural and comfortable. I bought a lot of sweatpants and learned to do a headstand. I watched my roots grow out and my red hair fade to blonde. I occasionally left my parents’ house, but the furthest I went was to visit a nearby pond, where a pair of swans guided their newly hatched chicks from shore to shore. I wouldn’t say I stopped caring about my appearance, but I stopped putting effort into it in a way that felt freeing at first — and then felt deeply imprisoning. I remember waking up one morning last July and seeing that my previously chin-length curls had grown past my chest, and my once broad shoulders had softened without access to my typical exercise routine. I stared at my reflection and saw a kind of femininity that made me deeply uncomfortable. I briefly considered shaving my head. Instead, I changed my Instagram bio: “Just a gay trying to get through. She/her.”

(This caption did not age well.)

I wasn’t alone in my discomfort. As we’ve been pushed inside, other queer and trans people have found themselves losing touch with their gender expression, too. “I haven’t put any thought into my gender expression. I feel disconnected from it since I barely see anyone,” Danny, a man of transgender experience told me in an email. “That being said, I stopped caring about my style at all. One time I took my dogs out and realized mid-walk I was wearing two different shoes.” He also found that, though wearing a mask has allowed him to experiment with different facial hair, it has led to people misgendering him more often. “I feel less comfortable in how I’m perceived,” he said. “I’m a fairly small person and people can’t see my masculine facial features behind a mask.” 

Like Danny, Alyza Enriquez, a transmasculine non-binary producer in New York, feels that masks have led to misgendering. “I operate from a place of transmasculinity, but I fear being read as a man in public,” they said. “When I’m wearing a mask and all bundled up, I look like a regular Max on the street and I don’t like that. When I go to the grocery store now I get dressed up. I put on all my chains and bracelets and rings to combat being read as male.” Alyza, who has been microdosing testosterone for years, has taken this time to explore their femininity as a non-binary person. They’ve tapered their dose down further, spent their weekends putting on makeup with their partner, and made a series of polaroids exploring what it means to be feminine, “Femininity has definitely become more prominent in my field of vision during the pandemic, which I wasn’t expecting.”

For others, quarantine has eased certain milestones in gender transition. Finnegan Shepard, a trans man and founder of Both& Apparel, used a public men’s bathroom for the first time during the pandemic. “I was on a road trip with my parents, we stopped in Kansas, and I needed to use the bathroom.” Shepard explained. “Ironically, Kansas is a pretty dangerous place to be trans, but wearing a mask actually made going into a public restroom so much more comfortable. I started at that first stop and then used male bathrooms across the country — COVID really allowed me to dive in head first.” Shepard started hormone therapy in September 2019 and had his top surgery scheduled for March 16th, 2020 — though that was canceled. While he waited for a new surgery date, Shepard shaved his head as a dare on Zoom. “After I shaved my head, I started to be read as a man by the FedEx guy and the Instacart guy.” Shepard said. “Pre-top surgery, having short hair really helped.” And when Shepard’s surgery was rescheduled for late April of last year, going in for it alone was a blessing in disguise. “I didn’t have time to be afraid, I had to be calm and ready,” he said. “It truly became an almost archetypal hero arc where I had to face my fears alone, the upside of which was that emerging out the other side was all the more empowering.” 

By the time autumn rolled around, I had noticed another phenomenon, having spent enough time on gay TikTok to see hundreds of young people discovering their gender during the pandemic. They cut their hair; they started binding; they asked the internet to use they/them pronouns in the comments. I fell deep down the rabbit hole of she/they discourse and, without my baggy jeans and Tims to ground me, I began to have a gender crisis of my own. Now, I am not a teenager — I’m 27, came out at as queer at 19, and already did all this exploration a long time ago. For years, I have identified as a genderqueer woman who uses she/her pronouns and presents androgynously. I stopped wearing dresses in 2017 and started sporting button-downs and Dickie’s every chance I got. I wore blazers and red lipstick when I wanted to feel powerful, and played with glitter and eyeshadow in my free time. In February 2020, I felt like a gender euphoric version of myself. But by October, I was panicked. I started to edit my Instagram bio to say: “Queer, androgynous, she/they,” but deleted it before I pushed save.

I didn’t change my bio —and didn’t even tell anyone about what I’d thought about doing — because it felt fake. I still have a note on my phone that says “talk to your therapist about gender you coward” (sorry, therapist, if you’re reading this), but I never brought it up. Instead, I cut my hair into a short curly shag and put some Ginger Overtone on the last wisps of blonde. I posted a picture on Instagram and for a brief moment felt the kind of gender euphoria I had spent years carefully crafting. The photo got 400 likes and 73 comments and felt like the kind of gender expression validation I so desperately craved. People saw my haircut and said: This is you, this is the real Hannah. And I believed them.

The holidays came and went. I spent another month at my parents’ house. It was cold and I only went outside twice, once to build a snowman. I got glasses and chose a rather masculine pair of tortoiseshell frames. My TikTok algorithm kept me updated on all things happening in the she/they universe and I watched as everyone from my good friend to my favorite podcast host added she/they to their Instagram bios. I became so invested in other people’s gender journeys that I convinced myself I must still be on my own. Identity is fluid, it changes all the time, I’d tell myself. I convinced myself I must be in flux, that my desperation for androgynous presentation was actually a deeper cry of gender confusion. I read some of my old writing from the Game of Thrones era and then pulled out my phone. I changed my Instagram bio to “My gender is Brienne of Tarth.” I deleted the pronouns and pushed save. Ten minutes later I changed it again, “Associate editor, she/her.”

For some queer people, quarantine has been a time of gender euphoria. For 28-year-old Allie, a trans non-binary person, the pandemic has allowed for space to explore gender identity and presentation. “I realized I was nonbinary about three to four months into the pandemic and started asking people to use they/them pronouns for me.” Allie told me. The pandemic coincided with Allie being single for the first time since they were 15 years old. That new freedom and the isolation allowed them to explore their gender expression without the immediate need for labels. “I remember right before quarantine, I kept trying to ‘label’ myself to the woman I was dating.” Allie explained. “The few labels, words, or phrases I was playing with were femme dirtbag, soft butch, chapstick bisexual, or tomboy femme. But honestly, I’m not sure what any of those really mean to me.” Now, they have had time to find their gender expression and self-confidence in a comfortable way, “I feel my most gender euphoric when I dress a bit more ‘masculine’ and then throw on neon eyeliner or a bright blue lipstick,” said Allie. “I recently got my hair cut into a mullet, and — abolish the carceral system, but: It’s really a crime that I’m not out meeting other gays IRL with how hot I look now.”

Similarly, Chett D’Angelo has been able to explore new ways of feeling masculine. After getting top surgery just days before the U.S. went into its first lockdown, D’Angelo has taken this time to explore all sides of his masculinity. He let his curly hair grow out — at first because salons were closed and then intentionally — and walked on a virtual runway in a dress covered in flowers, which he eventually removed to show his brand new chest. “Before quarantine, I felt myself clinging to gender roles,” Chett explained. “I feel like the pandemic helped me realize parts of myself that I wasn’t paying attention to. [When we go back to regular life], I think this will show up in my style. I don’t want to present feminine, but I want to explore how something traditionally considered feminine can be masculine.” I asked him if Harry Styles was his style icon and he responded, “Yes, exactly. My style can be fluid while still identifying as a man.”

The end of my gender panic began the same way it started: in coveralls. It was an unusually warm Saturday this February and I decided to go for a walk. My therapist told me it might help my depression to get dressed when I go outside, so I peeled off my sweatpants and forced myself into a real outfit. I slid into my favorite pair of olive green Dickie’s coveralls and a men’s leather jacket I hadn’t touched in a year. I pulled my Tims on and put on a full face of makeup — including a bright red lip that would stay hidden behind my favorite Adidas mask. I messed with my shag until each curl sat perfectly askew, and I walked out the door.

I took in the Brooklyn sunshine and felt the pavement on my boots. I felt the familiar stiffness of my coveralls and basked in the metal sounds of my jacket. I passed an empty shop window, catching a glimpse of myself, and felt a feeling that I hadn’t dipped into since the first time I donned a button-down for an important event in college. My heartbeat slowed and my lips parted into a smile. I tilted my head, stared at my reflection and stood briefly in the feeling of seeing an exterior version of myself that felt exactly like the interior version. It’s a feeling I can only describe as euphoria, and suddenly, a calmness fell over me. I threw my head back and laughed, skipped to a coffee shop and tipped 200%, and raced home. I greeted my wife and then, before I even took off my mask, I pulled out my phone and opened Instagram. I swiftly updated my bio: “She/her/gay/androgynous *lipstick emoji rainbow emoji cartwheel emoji*.”

As I reflect on this past year, I am so acutely aware of how being forced inside, being forced to be unseen, threw my head into a whirlwind. I’d felt so comfortable in my gender and my gender expression, that I didn’t realize how much of my conception of myself was based on being perceived by everybody but myself. Then, in 2020, the only place I had to be perceived was the internet, and so I obsessed over an Instagram bio that hadn’t been changed in years, hoping to find a new way to be seen, in order to better see myself. If all goes according to plan, later this year we will emerge from our hiding places — some with shiny new pronouns or new haircuts or completely new TikTok-inspired wardrobes. But for me, I’ll emerge nearly the same. Only now, I’m a little bit stronger and a little bit more secure in who I am when nobody — and everybody — is watching.

Interviews have been edited for length and clarity.

Style is a powerful way to express what we cherish, reject, prioritize, and value. After a year of extreme challenge and change, 29 Big (Style) Trends charts the new ways in which we outfit our lives, revealing what we’ve been through, and where we’re headed.

Like what you see? How about some more R29 goodness, right here?

The Jumpsuit That Saved My Gender Presentation

My Gender, My Body Hair, & Me

Here's Why I Prefer Clothing Swaps To Shopping New

29 Big (Style) Ideas

/*! Waypoints - 4.0.1 Copyright © 2011-2016 Caleb Troughton Licensed under the MIT license. https://ift.tt/2ZVESD1 */ !function(){"use strict";function t(n){if(!n)throw new Error("No options passed to Waypoint constructor");if(!n.element)throw new Error("No element option passed to Waypoint constructor");if(!n.handler)throw new Error("No handler option passed to Waypoint constructor");this.key="waypoint-"+e,this.options=t.Adapter.extend({},t.defaults,n),this.element=this.options.element,this.adapter=new t.Adapter(this.element),this.callback=n.handler,this.axis=this.options.horizontal?"horizontal":"vertical",this.enabled=this.options.enabled,this.triggerPoint=null,this.group=t.Group.findOrCreate({name:this.options.group,axis:this.axis}),this.context=t.Context.findOrCreateByElement(this.options.context),t.offsetAliases[this.options.offset]&&(this.options.offset=t.offsetAliases[this.options.offset]),this.group.add(this),this.context.add(this),i[this.key]=this,e+=1}var e=0,i={};t.prototype.queueTrigger=function(t){this.group.queueTrigger(this,t)},t.prototype.trigger=function(t){this.enabled&&this.callback&&this.callback.apply(this,t)},t.prototype.destroy=function(){this.context.remove(this),this.group.remove(this),delete i[this.key]},t.prototype.disable=function(){return this.enabled=!1,this},t.prototype.enable=function(){return this.context.refresh(),this.enabled=!0,this},t.prototype.next=function(){return this.group.next(this)},t.prototype.previous=function(){return this.group.previous(this)},t.invokeAll=function(t){var e=[];for(var n in i)e.push(i[n]);for(var o=0,r=e.length;r>o;o++)e[o][t]()},t.destroyAll=function(){t.invokeAll("destroy")},t.disableAll=function(){t.invokeAll("disable")},t.enableAll=function(){t.Context.refreshAll();for(var e in i)i[e].enabled=!0;return this},t.refreshAll=function(){t.Context.refreshAll()},t.viewportHeight=function(){return window.innerHeight||document.documentElement.clientHeight},t.viewportWidth=function(){return document.documentElement.clientWidth},t.adapters=[],t.defaults={context:window,continuous:!0,enabled:!0,group:"default",horizontal:!1,offset:0},t.offsetAliases={"bottom-in-view":function(){return this.context.innerHeight()-this.adapter.outerHeight()},"right-in-view":function(){return this.context.innerWidth()-this.adapter.outerWidth()}},window.Waypoint=t}(),function(){"use strict";function t(t){window.setTimeout(t,1e3/60)}function e(t){this.element=t,this.Adapter=o.Adapter,this.adapter=new this.Adapter(t),this.key="waypoint-context-"+i,this.didScroll=!1,this.didResize=!1,this.oldScroll={x:this.adapter.scrollLeft(),y:this.adapter.scrollTop()},this.waypoints={vertical:{},horizontal:{}},t.waypointContextKey=this.key,n[t.waypointContextKey]=this,i+=1,o.windowContext||(o.windowContext=!0,o.windowContext=new e(window)),this.createThrottledScrollHandler(),this.createThrottledResizeHandler()}var i=0,n={},o=window.Waypoint,r=window.onload;e.prototype.add=function(t){var e=t.options.horizontal?"horizontal":"vertical";this.waypoints[e][t.key]=t,this.refresh()},e.prototype.checkEmpty=function(){var t=this.Adapter.isEmptyObject(this.waypoints.horizontal),e=this.Adapter.isEmptyObject(this.waypoints.vertical),i=this.element==this.element.window;t&&e&&!i&&(this.adapter.off(".waypoints"),delete n[this.key])},e.prototype.createThrottledResizeHandler=function(){function t(){e.handleResize(),e.didResize=!1}var e=this;this.adapter.on("resize.waypoints",function(){e.didResize||(e.didResize=!0,o.requestAnimationFrame(t))})},e.prototype.createThrottledScrollHandler=function(){function t(){e.handleScroll(),e.didScroll=!1}var e=this;this.adapter.on("scroll.waypoints",function(){(!e.didScroll||o.isTouch)&&(e.didScroll=!0,o.requestAnimationFrame(t))})},e.prototype.handleResize=function(){o.Context.refreshAll()},e.prototype.handleScroll=function(){var t={},e={horizontal:{newScroll:this.adapter.scrollLeft(),oldScroll:this.oldScroll.x,forward:"right",backward:"left"},vertical:{newScroll:this.adapter.scrollTop(),oldScroll:this.oldScroll.y,forward:"down",backward:"up"}};for(var i in e){var n=e[i],o=n.newScroll>n.oldScroll,r=o?n.forward:n.backward;for(var s in this.waypoints[i]){var l=this.waypoints[i][s];if(null!==l.triggerPoint){var a=n.oldScroll=l.triggerPoint,p=a&&h,u=!a&&!h;(p||u)&&(l.queueTrigger(r),t[l.group.id]=l.group)}}}for(var d in t)t[d].flushTriggers();this.oldScroll={x:e.horizontal.newScroll,y:e.vertical.newScroll}},e.prototype.innerHeight=function(){return this.element==this.element.window?o.viewportHeight():this.adapter.innerHeight()},e.prototype.remove=function(t){delete this.waypoints[t.axis][t.key],this.checkEmpty()},e.prototype.innerWidth=function(){return this.element==this.element.window?o.viewportWidth():this.adapter.innerWidth()},e.prototype.destroy=function(){var t=[];for(var e in this.waypoints)for(var i in this.waypoints[e])t.push(this.waypoints[e][i]);for(var n=0,o=t.length;o>n;n++)t[n].destroy()},e.prototype.refresh=function(){var t,e=this.element==this.element.window,i=e?void 0:this.adapter.offset(),n={};this.handleScroll(),t={horizontal:{contextOffset:e?0:i.left,contextScroll:e?0:this.oldScroll.x,contextDimension:this.innerWidth(),oldScroll:this.oldScroll.x,forward:"right",backward:"left",offsetProp:"left"},vertical:{contextOffset:e?0:i.top,contextScroll:e?0:this.oldScroll.y,contextDimension:this.innerHeight(),oldScroll:this.oldScroll.y,forward:"down",backward:"up",offsetProp:"top"}};for(var r in t){var s=t[r];for(var l in this.waypoints[r]){var a,h,p,u,d,f=this.waypoints[r][l],c=f.options.offset,w=f.triggerPoint,y=0,g=null==w;f.element!==f.element.window&&(y=f.adapter.offset()[s.offsetProp]),"function"==typeof c?c=c.apply(f):"string"==typeof c&&(c=parseFloat(c),f.options.offset.indexOf("%")>-1&&(c=Math.ceil(s.contextDimension*c/100))),a=s.contextScroll-s.contextOffset,f.triggerPoint=Math.floor(y+a-c),h=w=s.oldScroll,u=h&&p,d=!h&&!p,!g&&u?(f.queueTrigger(s.backward),n[f.group.id]=f.group):!g&&d?(f.queueTrigger(s.forward),n[f.group.id]=f.group):g&&s.oldScroll>=f.triggerPoint&&(f.queueTrigger(s.forward),n[f.group.id]=f.group)}}return o.requestAnimationFrame(function(){for(var t in n)n[t].flushTriggers()}),this},e.findOrCreateByElement=function(t){return e.findByElement(t)||new e(t)},e.refreshAll=function(){for(var t in n)n[t].refresh()},e.findByElement=function(t){return n[t.waypointContextKey]},window.onload=function(){r&&r(),e.refreshAll()},o.requestAnimationFrame=function(e){var i=window.requestAnimationFrame||window.mozRequestAnimationFrame||window.webkitRequestAnimationFrame||t;i.call(window,e)},o.Context=e}(),function(){"use strict";function t(t,e){return t.triggerPoint-e.triggerPoint}function e(t,e){return e.triggerPoint-t.triggerPoint}function i(t){this.name=t.name,this.axis=t.axis,this.id=this.name+"-"+this.axis,this.waypoints=[],this.clearTriggerQueues(),n[this.axis][this.name]=this}var n={vertical:{},horizontal:{}},o=window.Waypoint;i.prototype.add=function(t){this.waypoints.push(t)},i.prototype.clearTriggerQueues=function(){this.triggerQueues={up:[],down:[],left:[],right:[]}},i.prototype.flushTriggers=function(){for(var i in this.triggerQueues){var n=this.triggerQueues[i],o="up"===i||"left"===i;n.sort(o?e:t);for(var r=0,s=n.length;s>r;r+=1){var l=n[r];(l.options.continuous||r===n.length-1)&&l.trigger([i])}}this.clearTriggerQueues()},i.prototype.next=function(e){this.waypoints.sort(t);var i=o.Adapter.inArray(e,this.waypoints),n=i===this.waypoints.length-1;return n?null:this.waypoints[i+1]},i.prototype.previous=function(e){this.waypoints.sort(t);var i=o.Adapter.inArray(e,this.waypoints);return i?this.waypoints[i-1]:null},i.prototype.queueTrigger=function(t,e){this.triggerQueues[e].push(t)},i.prototype.remove=function(t){var e=o.Adapter.inArray(t,this.waypoints);e>-1&&this.waypoints.splice(e,1)},i.prototype.first=function(){return this.waypoints[0]},i.prototype.last=function(){return this.waypoints[this.waypoints.length-1]},i.findOrCreate=function(t){return n[t.axis][t.name]||new i(t)},o.Group=i}(),function(){"use strict";function t(t){return t===t.window}function e(e){return t(e)?e:e.defaultView}function i(t){this.element=t,this.handlers={}}var n=window.Waypoint;i.prototype.innerHeight=function(){var e=t(this.element);return e?this.element.innerHeight:this.element.clientHeight},i.prototype.innerWidth=function(){var e=t(this.element);return e?this.element.innerWidth:this.element.clientWidth},i.prototype.off=function(t,e){function i(t,e,i){for(var n=0,o=e.length-1;o>n;n++){var r=e[n];i&&i!==r||t.removeEventListener(r)}}var n=t.split("."),o=n[0],r=n[1],s=this.element;if(r&&this.handlers[r]&&o)i(s,this.handlers[r][o],e),this.handlers[r][o]=[];else if(o)for(var l in this.handlers)i(s,this.handlers[l][o]||[],e),this.handlers[l][o]=[];else if(r&&this.handlers[r]){for(var a in this.handlers[r])i(s,this.handlers[r][a],e);this.handlers[r]={}}},i.prototype.offset=function(){if(!this.element.ownerDocument)return null;var t=this.element.ownerDocument.documentElement,i=e(this.element.ownerDocument),n={top:0,left:0};return this.element.getBoundingClientRect&&(n=this.element.getBoundingClientRect()),{top:n.top+i.pageYOffset-t.clientTop,left:n.left+i.pageXOffset-t.clientLeft}},i.prototype.on=function(t,e){var i=t.split("."),n=i[0],o=i[1]||"__default",r=this.handlers[o]=this.handlers[o]||{},s=r[n]=r[n]||[];s.push(e),this.element.addEventListener(n,e)},i.prototype.outerHeight=function(e){var i,n=this.innerHeight();return e&&!t(this.element)&&(i=window.getComputedStyle(this.element),n+=parseInt(i.marginTop,10),n+=parseInt(i.marginBottom,10)),n},i.prototype.outerWidth=function(e){var i,n=this.innerWidth();return e&&!t(this.element)&&(i=window.getComputedStyle(this.element),n+=parseInt(i.marginLeft,10),n+=parseInt(i.marginRight,10)),n},i.prototype.scrollLeft=function(){var t=e(this.element);return t?t.pageXOffset:this.element.scrollLeft},i.prototype.scrollTop=function(){var t=e(this.element);return t?t.pageYOffset:this.element.scrollTop},i.extend=function(){function t(t,e){if("object"==typeof t&&"object"==typeof e)for(var i in e)e.hasOwnProperty(i)&&(t[i]=e[i]);return t}for(var e=Array.prototype.slice.call(arguments),i=1,n=e.length;n>i;i++)t(e[0],e[i]);return e[0]},i.inArray=function(t,e,i){return null==e?-1:e.indexOf(t,i)},i.isEmptyObject=function(t){for(var e in t)return!1;return!0},n.adapters.push({name:"noframework",Adapter:i}),n.Adapter=i}(); /* ///////////////////////////////////////////// */ /* Sticky Menu */ function setupWaypoints() { if (Waypoint) { const waySticky = new Waypoint({ element: document.getElementById('tmp-sticky-marker'), handler: function(direction) { if (direction == 'down') { stickMenu(); } if (direction == 'up') { unstickMenu(); } } }); } } function stickMenu() { const grabMenu = document.getElementById("tmp-categories"); grabMenu.style.transform = "translateY(0px)"; grabMenu.style.transition = "all 0.3s"; grabMenu.style.WebkitTransition = "all 0.3s"; if (window.innerWidth > 1219) { grabMenu.style.top = "0"; } if (window.innerWidth > 759 && window.innerWidth < 1220) { grabMenu.style.top = "58px"; } if (window.innerWidth < 760) { grabMenu.style.top = "78px"; } } function unstickMenu() { const grabMenu = document.getElementById("tmp-categories"); grabMenu.style.transform = "translateY(-200px)"; grabMenu.style.transition = "all 0.3s"; grabMenu.style.WebkitTransition = "all 0.3s"; if (window.innerWidth 1099) { var grabJump = document.getElementById("tmp-mobile-sticky"); grabJump.style.display = "none"; } else { grabBody.style.overflowY = "hidden"; } } function hideCategories() { const grabCategories = document.getElementById("tmp-categories-set"); const grabBody = document.querySelector("body"); if (window.innerWidth 960) { videoHeroDesktop.src = videoHeroDesktopURL; videoHeroDesktop.load(); } if (window.innerWidth > 767 && window.innerWidth 360 && window.innerWidth < 768) { videoHeroMobile.src = videoHeroMobileURL; videoHeroMobile.load(); } if (window.innerWidth < 361) { videoHeroMobile.src = videoHeroSmallMobileURL; videoHeroMobile.load(); } } /* ///////////////////////////////////////////// */ /* Preload */ document.onmouseleave = function() { window.isReady = false } window.addEventListener("resize", function() {window.isReady = false}); function ready(fn) { if (document.attachEvent ? document.readyState === "complete" : document.readyState !== "loading"){ fn(); } else { document.addEventListener('DOMContentLoaded', fn); } } window.isReady = window.isReady === undefined ? false : window.isReady; ready(function () { var imagesLoadedInterval = setInterval(function(){ if(window.imagesLoaded) { imagesLoaded( '#tmp-load', { background: true }, function() { window.isReady = false clearInterval(imagesLoadedInterval) }); clearInterval(imagesLoadedInterval) } }, 100) if (window.isReady === false) { window.isReady = true } else { return } const waitForLoad = setTimeout(function(){ clearTimeout(waitForLoad); setupWaypoints(); setupVideoHero(); }, 200); })

Everything has changed. So have our ~ aesthetics ~.
Style is a powerful way to express what we cherish, reject, prioritize, and value. After a year of extreme challenge and change, the new ways in which we outfit our lives reveal what we’ve been through, and where we’re headed.

The Way We Relate

Unmasking The Effort

The point was always to look effortlessly glamorous — so much so that waking up “like this” meant pretending we were born with a full beat. But why not celebrate the talent that goes into pulling together a look? On Black TikTok, memes like the #BussItChallenge highlight our community's skill in changing up our appearance. We're here to honor the effort, not obscure it.

Even Off The Red-Carpet, Actors Are Still Fashion’s #1 Influence

Television has long been a source of fashion inspiration. More recently though, in the absence of red carpets, it has become the destination for expressive, fun, and transportive style.

Trends, Frozen in Time

Trends happen when we see something cool on someone else and try it out ourselves. Conversely, trends die when we all collectively get sick of something and want to move on. After a year spent alone, we haven’t even had the chance to get sick of anything except our own sweatpants. Hence, we’re presented with an unusual phenomenon that’s a little bit of a mind-twister to think about: The trends we had in March of 2020 are still the relevant trends of right now, 2021. Even though brands and designers have been putting out new collections, practically speaking, we’ve been stuck in a deep freeze.

Fashion Diplomacy Reaches New Levels

Women in politics have long known that carefully chosen outfits have the ability to change minds and reach hearts. Today, those in Congress and the White House are not only using their clothes to send messages of goodwill and unity, but also going even further with fashion choices that reinforce their values. Whether it’s supporting Black, immigrant, or queer designers, or made-in-America brands with LGBTQ+ friendly practices, Jill Biden, Kamala Harris, and Alexandria Ocasio-Cortez are representative of a new era of fashion diplomacy. We call it fashion statesmanship — using your clothes to signal your values and support your causes, all in order to lend support to policies that improve the lives of their constituents.

Your Rumspringa Look

We may have been confined to the same four walls for the past 12 months, but our imaginations have been traveling far and wide. From the comfort of our sofa, our minds have had plenty of time to conjure up the looks we’ll don on future day trips, dates, and dance floors. From channelling Bianca Jagger at Studio 54 for our first outing at a rooftop bar, to (digitally) window shopping for the perfect beach look for our first summer sojourn, vision-boarding outfits isn’t just about what we’ll wear, but also who we'll be, post-pandemic.

The Rise Of The Historian Influencers

There’s a new generation of fashion influencers who don’t take photos of themselves or do sponcon: They’re here to educate you on the history behind your favorite fashion looks. As with any community, some armchair historians are more interested in appearing right than actually being right. But when the facts are solid and the analysis clear, these influencers can change the way you consider even the most basic clothing item. From Shelby Ivey Christie, who's got an encyclopedic understanding of Black designers and the people who wear them, to Xiran Jay Zhao, whose viral thread on everything that went right — and wrong — with Disney’s Mulan remake pushed back on Hollywood's understanding of “authenticity,” these historians’ work directly challenges whitewashed history, uncovers cultural theft, and honors those who came before.

The Way We Look

Accidental Capsule Closets

While efficiency extremists and hard-core minimalists have long preached the benefits of a capsule closet, it wasn't until the pandemic forced us all indoors that many of us unintentionally stumbled on the concept, when we began to wear the same handful of outfits on repeat. Purists might argue that two pairs of sweatpants, a house dress, and one loose button-down doesn’t make a true capsule closet. But now that we’re used to fewer laundry days, less stressful mornings, and feel completely at home in our clothes, we’re not letting go of the trend anytime soon.

Thirst-Trap Jewelry

Connell’s chain. Harry’s pearl necklaces. Regé-Jean’s spoon-necklace combo. Does the jewelry make the crush, or does the crush make the jewelry? All we know is that heartthrobs look even heartthrobbier when they're wearing one. Perhaps it’s because the business of romance during quarantine has mostly been reduced to thirsting, but all this alone time has added something quite steamy to otherwise plain jewelry.

The Joy Of Gender Expressing

"I stopped wearing dresses in 2017 and started sporting Dickie’s every chance I got. I wore blazers and red lipstick when I wanted to feel powerful, and played with glitter in my free time. In February 2020, I felt like a gender euphoric version of myself. But by October, I was panicked. Who am I when nobody is watching?"

The Glorious FUPA

In 2018, Beyoncé said it best: “My little FUPA and I feel like we are meant to be.” In the three years since, our FUPAs — and VBOs, or visible belly outline — have entered the mainstream body-inclusivity movement. Black and brown women in particular are creating art about theirs, including Gloria Lucas, founder of Nalgona Positivity Pride who founded the #FupationNation hashtag on Instagram — and encourage women to hold theirs in high regard. “People forget that our body formation has to do with our genetics, and that our FUPAs are usually tied to the bodies our ancestors had,” Lucas tells R29. “I think there is power in knowing that.”

Tarzan Bottoms Take Over

Consider this the skinny jeans battle of the summer. But those low-rise, full-coverage bikini bottoms people have been wearing for decades have finally given way to a new bottoms shape that’s cut high, swoops low, and is skimpy as hell. Tarzan bottoms were previously worn only by the bravest of beachgoers, but we say that they’re worth a try for anyone. Old swim bottoms were designed to hold you in and camouflage your curves. Instead, take back the beach with this ‘80s revival shape.

Why Edit?

To post or not to post? Does this fit with my grid? Do my arms look weird? Here’s another question: Remember when we cared about those things? After a decade spent curating every aspect of our lives on Instagram, ensuring that our faces were tuned and our photos filtered, we’re finally free. In the place of highly edited feeds are photo dumps that mirror the clothing-dump, feelings-dump, news-dump ways we’re living today.

Goodbye Minimalism

When our calendars were full, there was a sort of peace in wearing only neutral basics or furnishing our home in serene tones. But now that our lives have gotten more minimalistic (to put it kindly), living in a muted world suddenly feels awfully boring. So, bring on the clashing patterns, aggressive colors, and overindulgent layering. Give us every lucite ring, oversized prairie collar, and funny bag to wear all at once, even if they don’t “go.” To hell with chic — we want chaos!

Feeling Emo Returns

My Chemical Romance. Fall Out Boy. Taking Back Sunday. These 2000s bands were the soundtrack to our attire — ripped black jeans, heavy bottom liner, and swoopy bangs — with feelings to match — melancholic, dramatic, emo, if you will. Fast forward 20 years and the emo aesthetic has made its resurgence as younger generations pull on their zippersiest pants, tap into their sentimental sides, and sing along to so-sad-its-good lyrics on TikTok. As with every era of emo, much of this resurgence is thanks to Latinx fans who are recasting classic childhood love songs like as new emo anthems.

From Hyggie To Huggy

There have been a lot of moments when all we really wanted was a tight squeeze. But with real hugs akin to a germ bomb these days, fashion is here to offer a temporary alternative. A step beyond the Scandinavian aesthetic of hyggie, and outfitting your home and yourself to achieve maximum cozy vibes, this new huggy trend relies on quilted, padded, cloud-like fashion. From Louis Vuitton’s slipper boots to Beyoncé-approved puffer mittens, these are a nice-enough consolation until we can get back to the real deal.

The Way We Live

Grandma’s Back

If you also think that a couch isn’t complete without a doily draped across its back, you’re not alone — there are a lot of us out here who are now rejecting austere aesthetics in favor of maximalist grandmacore. After a year of needing to stay away from our grandparents, lest we get them sick, we’re craving the particular comforts of their homes. It’s an approach that will tide us over for now till we’re back where we belong: At their place, being told to eat another piece of cake. Homemade? Entenmann’s? It doesn’t matter, as long as it’s served on a chipped piece of china, the pattern permanently faded after years of use — and love.

Double Masking As A Style Trick

It sure took long enough, but global health organizations finally confirmed what we had always suspected: Two masks are better than one. For the aesthetically inclined, this news twice as great because double-masking means we get to layer. (More clothes = more fun, that’s math.) In a year spent recalibrating what “dressing up” means, matching our masks to our outfits was one of the brief spots of amusement we’ve had with accessorizing this year. And now that the permutations have increased, we’ve got another good reason to gear up before going outside.

From 12-Step To 1-Step

If you're like us, your million-step skin-care routines have taken a backseat to other stuff: trying to hold down our mental health, work responsibilities, and relationships during months spent at home. Then, something strange happened. Once we set the aggressive glycolic acid-infused, retinol-reliant, vitamin C-spiked regimens aside for simpler stuff, our skin started to look… better? Streamlined, selective "skinimalism" is in, and so is the concept of a pared-down makeup bag stocked with well-made, sustainable essentials and not a whole lot else.

LED Lighting: A Vibe

The traditional “lighting rules” for our homes used to preach the same thing: Warm light from at least three sources — and keep it natural! But these days, when our entire lives are mediated by the cool glow of a screen, nothing is exactly “natural” anymore. Enter: colorful LED lighting. Whether they’re in the form of glowing sticks propped up against a wall; smart-bulbs that shift from pink to blue with the click of a remote; or classic neon signs we keep on 24/7, our new lights let us choose a color for every mood, offering harmony between our physical and virtual realities — both real and unreal in their own distinctive ways.

The Traveling Hairperson

Getting your hair done and cut during the pandemic was an awfully tricky thing since most traditional set-ups didn't meet safety standards. A few resourceful professionals came up with some clever — and COVID-safe — solutions. Instead of clients coming to their indoor salons for time-consuming haircuts that’d require consistent touch-ups, instead, they’d go where their clients were. Pros like Megan Robinson and Lea Journo make house calls around the country and abide by a strict regimen of testing and self-quarantine. Cutting outdoors, they specialize in dry cuts that forgo indoor plumbing in styles that continue to look good as it grows out (and out and out).

~ No ~ Straight ~ Lines ~

A little takeaway from this past year: Life is not linear. And how we dealt with all the bumps, lumps, and curveballs of 2020 subconsciously showed up in what we bought, too. Suddenly, every selfie was snapped in blob-like mirrors. Cloud-shaped coffee tables were covered with squiggly candles, and windowsills were lined with cool, curving vases. Even lighting got rounder and friendlier as mushroom lamps became a best-seller. Getting wiggly can be as simple as buying an oddly shaped home accent that serves no other purpose than to spark joy for yourself, or, for that matter, whoever is peering in from Zoom; it’s a style statement that’s also about shared happiness.

Advanced Crafting

When lockdown began and our social lives came to a screeching halt, many of us found ourselves with extra alone time to fill. One year in, as some among us let our sourdough starters die in their Tupperware containers, there were others who actually leaned in. Today, these hobby long-haulers are reupholstering entire couches, sewing new wardrobes, and feeding their communities from backyard gardens. For some, these crafts became small side hustles. For others, the pleasure is in the pursuit. The pandemic might be keeping us inside, but there’s always new ways to branch out.

Bluelight Conscious

We would prefer not to dwell on the amount of time we’ve spent in front of screens over the past year. (We turned off our Screen Time push notifications sometime last April. Nobody needs that kind of judgment.) What we can do is mitigate the long-term damage we’re no doubt incurring from all that blue light with skin care and eyewear that profess to protect us from our beloved devices.

Hair School, At Home

As global lockdowns and social distancing guidelines rendered regular trips to the hairdresser nearly obsolete, many Black women have had to learn to style their own natural hair — an endeavor that can be at once anxiety-inducing and liberating.

The Way We Shop

Fancy Soap

We understand why we’ve got to do it, but we pine for the days when we can wash our hands again without thinking about how thoroughly we’re washing our hands (and how many bars of Smash Mouth’s All Star make up a full 20 seconds). Fortunately, a crop of new companies have set out to make keeping our hands clean more of a luxury and less of a chore. The next time there’s a run on Dial and Purell, luxe new brands like Dally, Cleanli, Kolonya Carré, and more have you covered with hand soaps and sanitizers that elevate basic hygiene into an art form.

One-Hit Wonder Shops

How can we square our innate desire for newness, self-expression, and creativity with the climate crisis? Can brands tap out of the never-ending production carousel and instead create less, but better? Rather than become do-it-all shops, there are a slew of brands that have found their niche with a single product. From OFFHOURS’ Homecoats, which give WFH comfort a whole new meaning, to LA MANSO’s hard candy rings, we’re looking to the brands that understand that doing one thing really well is more than enough.

Entry-Level Haute Couture

The difference between ‘haute couture’ and regular fashion can be boiled down to who it’s made for: You vs. you plus eeeeveryone else. But these days, non-billionaires like ourselves have plenty of choices for bespoke creations, as independent labels, creators, and artisans are getting into the business of one-of-a-kind pieces sold for fair prices. Today, you can find a designer to turn your old quilts into barn coats, or a jewelry maker who’ll work with you to transform your ring dreams into reality. Even Kamala Harris’ stepdaughter, Ella Emhoff, used to create affordable custom knit pieces on commission.

Put A Mushroom On It

Have you heard? There’s a fungus among us. Suddenly everywhere, mushrooms aren’t just trending as a print, but also as a material. There’s been a boom in mushroom-based supplements, and major fashion brands like Adidas and Stella McCartney have invested in a leather substitute made from mycelium, the “ecological connective tissue” that comprises mushrooms, prompting trend forecasting agency WGSN to declare that “mycelium is the material message for 2021.” And don’t forget that Oregon became the first U.S. state to legalize psilocybin for therapeutic purposes. So...why now? Perhaps, as Refinery29 writer Shabd O’Sullivan posited, it’s about returning to the earth “to find roots in an increasingly chaotic world.”

The Luxury Utility Crossover

We are witnessing the age of the Designer Gorpcore Collaboration™ — whereupon big fashion brands are partnering with utilitarian companies to make high-quality, high-performance products that, in theory, will last you just about forever. This year alone, The North Face teamed up with Gucci to create the most anticipated collection of the season, and ‘90s athletic mainstay Champion got a high-fashion makeover thanks to Coach. With a collection between It-brand Telfar and UGG on the way, these partnerships are just the beginning of the unlikely fashion crossover trend that unites two schools of incredible craftsmanship into one product.

Like what you see? How about some more R29 goodness, right here?